The way we heal is a huge part of the sweet exhaustion of Tramp, but it is a double-edged affair.
It leaves you with the impression that Bentley has made something special here -- not just his most consistent album and 2012’s first great country album, but even more.
Math whiz Lawrence Ball adds another baby step of progress for Pete Townshend's "Lifehouse" project.
While heckles are raised when terms like "vintage" and "retro" are tossed about, the Devil's Blood has undeniably evoked the electrifying rush of '60s and '70s occult rock. What other sprits they have invoked along the way, well, that's a whole other story.
Orchestra of Spheres should be recognized for its willingness to take chances and experiment with instrument-construction and sound in general. Unfortunately, the band’s ratio of hits to misses on this album is right about 50/50.
Stalactites in the canyons of your mind.
Rappers have always wrestled with the question of how to succeed in a society where the odds are stacked against them. The biggest difference now is that their middle class listeners have the same worries.
To create something or to create something that creates something; that is a question. But if you lead an electric horse to art, does it dream of the avant-garde?
Unlike potboiler musicians with kiss-off egos, the Shadow proves that Blank Generation music was open-ended and robust, a welcome home to punk brands of all stripes.