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Notes on Celluloid

Thursday, July 10 2014

Should Film Music Stand Alone?

In evaluating what makes a great film score, writers, composers, and listeners must ask themselves if the function of cinematic music limits the form it has to take.


Friday, May 9 2014

That Which Crawls Out of Speakers and Inches Along Your Nerves: Notable Film Scores of Early 2014

From Biblical epics to run-of-the-mill rom-coms, Notes on Celluloid takes a look at (and listen to) some of the strongest film music of 2014 thus far.


Wednesday, March 5 2014

A Melancholy Never Far Away: An Interview with Jóhann Jóhannsson

PopMatters speaks with Jóhann Jóhannsson about his latest venture into music for cinema, his moody and melancholy score for the police thriller, McCanick.


Wednesday, December 11 2013

The Best Film Scores of 2013

This year saw no shortage of innovative, exciting film scores. Notes on Celluloid counts down the ten soundtracks that lingered the longest in our minds.


Thursday, December 5 2013

The Great Scores: ‘The Fountain’ and a Sonic Road to Awe

Clint Mansell’s score for Darren Aronofsky’s metaphysical science fiction film, The Fountain, is a masterpiece of both film music and contemporary art music.


Monday, October 21 2013

The Silence of Distortion: An Interview with Nicolas Winding Refn and Peter Peter

PopMatters speaks with director Nicolas Winding Refn and composer Peter Peter about the long overdue release of Peter's score to Refn's 2010 Middle Ages brooder, Valhalla Rising, and its undulating dark ambient music.


Thursday, September 5 2013

Getting Good at Getting Dark: An Interview with Cliff Martinez

PopMatters speaks with Only God Forgives composer Cliff Martinez about working with Nicolas Winding Refn, writing music for bloody movies, and finding success in film music.


Thursday, August 8 2013

Scores of Summer 2013: Pulse-Heightening Horror, Twee Indie, Thunderous Action and Old-School Blues

No matter how classically trained (John Williams) or pop-minded (Hans Zimmer) a composer might be, the skill set required for making great movie music is unlike any other form of composition.


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