Performance Oriented
Movie Time: Annie Baker’s Pulitzer-winning ‘The Flick’ Transfers to the National Theatre

Funny, sorrowful, quietly subversive, and a film nerd’s wet dream, Annie Baker’s Pulitzer-prize-winning play mines humour and pathos.

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Lorraine Hansberry’s ‘Les Blancs’ Gets Extraordinary Production at National Theatre

The personal and the political are so interlinked in this play as to be inextricable, and Yaël Farber’s staging offers a dynamic mingling of the intimate and the epic.

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A Curiously Hollow Horror Show: ‘Cleansed’ at the National Theatre

Over-stylised and strangely unaffecting, Katie Mitchell’s staging of Sarah Kane’s controversial play yields mixed results.

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David Mamet and Al Pacino’s ‘China Doll’ Rat-a-Tats Without the Tat

There's an interesting play somewhere in the thin structure of China Doll, but not even a dutiful performance by Al Pacino can bring it to life.

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18 Jun 2006 // 10:00 PM

And Baby Makes a Mess

In which Sandra Oh inadvertently scares our columnist to death in a new play that's 'like birth control'.

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In Sickness and in Health

In Well, Lisa Kron asks, what is the difference between the healthy and the ill? And also, why does my mom keep fucking up my play?

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Keeping the Line Between the Past and the Present

Pulitzer Prize-winner Doug Wright talks to Performance Oriented about his new stage adaptation of Grey Gardens; or, How to Make 'Morbid Eccentrics' Sing and Dance.

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29 Jan 2006 // 10:00 PM

Peanuts Brittle

In Royal's theatrical adaptation of the Peanuts cartoon strip, Charlie Brown and the gang have grow older, been through some hard times. It's sometimes funny, sometimes morbid. But like it's one-dimensional inspiration, it never manages to get 'real'.

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//Mixed media
//Blogs

'SUPERHOTLine Miami' Is Exactly What It Sounds Like

// Moving Pixels

"SUPERHOTLine Miami provides a perfect case study in how slow-motion affects the pace and tone of a game.

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