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Thursday, June 5 2014

‘Anchorman’s’ Ron Burgundy: The Man, The Myth, the Media

Anchorman 2 is bigger, bolder, brasher and more bizarre than its antecedent, but it also gives a pertinent critique of the medium it has chosen to satirise.


Monday, April 21 2014

‘LOST’ and Found: Mystery Boxes and Pleasure Domes

LOST arrived with the thunderous roar of exploding fuselage. It cut wildly through pop-culture stereotypes, and then left its fans lost and bewildered amidst the wreckage.


Monday, February 24 2014

Blood, Bugs and Gore: ‘Gears of War 2’, Postpartum Edition

Gears of War is not about narrative. It's about gut instinct. Pure, primal, primitive emotion. It paints on a big canvas, and uses thick brushstrokes, but the result is an unfiltered, expressionistic roar. It's just like a newborn baby.


Friday, December 20 2013

How the Time Lords Invented TV: 50 Years of Doctor Who

Like television itself, Doctor Who has consistently confronted limitation with ingenuity, cancelation with rebirth, constraint with transcendence.


Monday, October 7 2013

‘Beyond Good & Evil’, Beyond Art & Not-Art

Culture, civility, and empathy. When crafted with the elegance and care of Beyond Good & Evil, videogames exceed every arbitrary 'requirement' for Art demanded by those who would deny them worth.


Monday, August 19 2013

A Man of Steel That Sinks Like Lead

Turning Superman into the übermensch, standing above humanity, espousing a new moral dictum in which 'might makes right', is a contradiction of the film's own logic, and a gross violation of the principles he has traditionally fought to protect.


Tuesday, June 18 2013

Bees and Birds and Bluths, Oh My…: ‘Arrested Development’ Season 4

Torn apart, but narratively stitched back together through the affection of its fans and creators, the Bluths and Arrested Development hang suspended in a moment of disrepair, the beating heart of their sorrow exposed, but yearning always to reconnect.


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