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Taylor Coe

Taylor Coe currently works in academic publishing and spends most of his free time trolling the Internet for music and film reviews, along with digesting unhealthy amounts of television. He has an affinity for Townes Van Zandt and other like-minded Texan singer-songwriters, not to mention a borderline-worrisome obsession with the Scottish band Frightened Rabbit. In the ninth grade, his most-played song of all time may or may not have been “Rich Girl” by Hall & Oates. Years later, he finds this somewhat embarrassing - which is not unlike his feelings for lots of other things about ninth grade.


Features

Sunday, September 23 2012

Forgetting the Roots: Does It Matter Who Makes Folk Music?

The authenticity trap: How did folk music end up in such a paradoxical place?


Reviews

Sunday, March 9 2014

James Vincent McMorrow: Post Tropical

While there was always an arctic edge to McMorrow, Post Tropical only deepens the powerful sense of cold and chill that cloaks his work. Thank goodness for that.


Thursday, March 6 2014

Mark Pickerel and His Praying Hands: Tess

Mark Pickerel picks up where 2008’s Cody’s Dream left off -- a brand of muscular country-rock shaded with weird darkness.


Monday, March 3 2014

Yonder Mountain String Band: YMSB EP13

Bluegrass for people who don’t really like bluegrass, Yonder Mountain hasn’t made much career progress for a band sometimes shuffled under the progressive bluegrass label.


Sunday, February 23 2014

Elizabeth and the Catapult: Like It Never Happened

As good as this album is, it’s ultimately less a cohesive entity of its own and more like a mishmash between great pop songwriting and the flighty, inspired production of Molad and Lalish.


Wednesday, February 19 2014

Scott H. Biram: Nothin' But Blood

Overall, the effect of the album is mostly jarring. Gusty, but jarring. It is music that moves me more to fascination than appreciation.


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