Kumuthan Maderya

Kumuthan Maderya is a Singapore-based historian of culture and film after graduating from the National University of Singapore. Believing that the duty of the critic is to save the film from those who created it, like a true Rajinikanth fan, he hopes to make the subaltern speak. He can also be found on Instagram @subalterntalkies.

Features // 1 Articles
Columns // 6 Articles
Reviews // 3 Articles
//Features

Singapore's '1965' Sacrifices a Good Story and History at the Altar of Nationalism | 9 Aug 2015 // 9:00 PM

Conflations, copouts, and confusions turn 1965 into a kitschy commemorative paean that will struggle to shrug off accusations of being propaganda.

//Columns

From Yugoslavia to South India: The Rise of Tamil Turbo-folk | 24 Jan 2016 // 8:30 PM

Like its Serbian counterpart, Tamil Turbo-folk masquerades as ethno-nationalist resistance against the dislocations brought to bear by nation building, liberalization, and globalization.

Birdman v Uttama Villain: Portrait of the Artiste As an Older, Wiser Man | 18 Jun 2015 // 8:30 PM

Making their films resistant to easy consumption and demanding respect for the artiste is essential to the spirit of Birdman and Uttama Villain.

//Reviews

Brown Lives Don’t Matter in the Dark and Cruel World of 'Visaranai' | 9 Feb 2016 // 8:10 PM

Visaranai compels us to interrogate our presumptions about the bourgeois state apparatus.

Trailing the Artisans of Oneiric Worlds in Anand Pandian's 'Reel World' | 30 Nov 2015 // 8:05 PM

Reel World reconciles the recondite with the banal, the sublime with the quotidian, and the real with the mythological.

//Mixed media
//Blogs

Beyoncé and When Music Writing Becomes Activism

// Sound Affects

"The overall response to Beyoncé's "Formation" has been startlingly positive, but mostly for reasons attached to political agendas. It's time to investigate this trend.

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