Audrea Lim
Image: Audrea Lim

Coinciding with the genesis of the Cabbage Patch Doll, Audrea Lim came into being in the early 1980s against a Fast Times at Ridgemont High-esque backdrop saturated with images of Olivia Newton-John, Burt Reynolds, and leg warmers. She grew up in Calgary, home of the infamous Stampede, where she indulged in the local punk and party scenes at various times in the post-Reality Bites era. Audrea currently resides in Toronto, where she is pursuing a bachelor's degree in Physics and Philosophy at the University of Toronto. She divides her time between going to shows, drinking wine, going dancing, practicing kung fu, enjoying Toronto, and of course, intellectual pursuits and writing for PopMatters.

Features // 2 Articles
Columns // 3 Articles

Tiger, Tiger, Burning Bright: The Role of the Asian American in American Pop Culture | 19 Jun 2011 // 5:00 PM

From New York magazine to Punk Planet, Audrea Lim shows us how recent Asian American writing sensations Wesley Yang and Amy Chua get it wrong in their interpretations of what it means to be of Asian descent in American at the dawn of the 21st century.

The City in the Mountain | 24 Oct 2004 // 8:00 PM

The imposing high-rises of Gulf Canada Square, Energy Plaza, and Petro-Canada, among others, tower over the tiny commuters who come downtown to earn their wage at these brawny monuments to Canada's oil industry. But take another look: the casually dressed population is hardly bullied by all this might. No, the only thing that ruffles this hardy bunch is the wind blowing down from the mountains.


Sailing Rough Waters | 24 Oct 2006 // 7:00 PM

Taiwan's legendary The Clippers are smart, edgy, and very adaptable. But when charting beyond their own sea, their sound is not always as well received as maybe it should be.

Five Colors Rock Taiwan | 28 Aug 2006 // 5:00 PM

Che Guevara, John Lennon, Mother Teresa, Albert Einstein -- and Taiwan's late DPP legislator Lu Hsiu-yi -- all met up on a rock 'n' roll stage to rouse up a revolution.

//Mixed media

NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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