G. Christopher Williams is a Professor of English at the University of Wisconsin-Stevens Point. He posts his weekly contribution to the Moving Pixels blog at PopMatters every Wednesday. Besides also serving as Multimedia Editor at PopMatters and writing at his own blog, 8-bit confessional, he has also published essays in journals like Film Criticism, PostScript, and the Popular Culture Review. You won’t find him on Twitter, but you can drop him a line with that old fashioned thing called e-mail at email@example.com.
Monday, December 15 2008
What might be remembered of the life of a woman who was long ago replaced by her own representation?
Wednesday, June 4 2008
Author Patrick Rothfuss talks to PopMatters about the pivotal role of language in magic, the structure of storytelling, and the role of fantasy in contemporary fiction.
Wednesday, April 23 2008
With the rise of the metrosexual and the fall of the patriarchal society, some men, lost in a gray zone, compensate by joining Gold’s Gym, screaming at Packers games, and driving big-ass Hummers
Wednesday, September 19 2007
Unlike more passive forms of art that largely require the participation of viewers as interpreters and observers of their subject matter, video games raise thorny questions about "viewing" content, since the action of a player is more directly participatory for the audience.
Thursday, March 29 2007
The controversial French philosopher's legacy has been tarnished by reductionist readings of his work, generated precisely by the tendencies of the mass media he sought to illuminate.
Wednesday, January 21 2015
The dream of creating photorealistic video games seems odd to me when considering the medium itself, especially in contrast to other artistic mediums.
Wednesday, October 29 2014
Here are a few little games to put you in the spirit of the spooky season. How you will come out of the other side is up to you.
Tuesday, April 22 2014
Is the role of the video game critic to protect us from that which we may find offensive?
Tuesday, February 18 2014
Free-to-play game developers are playing a game of their own. The object of that game is to gain ownership of your time.
Monday, January 6 2014
The Room understands that we are gamers, geeks who like to look at a thing, take it apart, and figure out how it works. We aren't mere computers.
Monday, December 15 2014
Very simply put, Miss Take is an exceptionally executed game, advancing a kind of minimalist, arcade-style form of stealth that never wears out its welcome.
Monday, October 27 2014
Most of the horror of The Vanishing of Ethan Carter is derived from an eerie sense of dread created through the atmosphere that is established through the presence of the alien and the weird in an otherwise familiar environment.
Monday, October 20 2014
While it looks quite amazing, the problem with Neverending Nightmares is that there is a real lack of a bigger picture, either strategically or narratively, to motivate the play itself.
Wednesday, October 8 2014
Death was always inevitable in Gauntlet. It was not merely a matter of skill, but also a matter of time.
Monday, September 22 2014
You say schlock like it's a bad thing.
Wednesday, January 28 2015
Differentiating yourself from other gamers on the basis of a few primary colors may indicate some powerful symbolic and identificatory impulses.
Wednesday, January 21 2015
South Park: The Stick of Truth reveals the strange and ambiguous quality of entertainment rating systems.
Monday, January 19 2015
We are now a year into the next generation of consoles, but many of our favorite video games of 2014 remain the smaller, quieter indie titles.
Wednesday, January 14 2015
The player isn't an audience for the comedy of Jazzpunk. The player instigates the laughs.
Wednesday, January 7 2015
The characters in This War of Mine live in a home situated in a larger world that is much colder, much more callous than the bright and cheery suburban void that the homes of The Sims exist in.