Justin Cober-Lake lives in Charlottesville, Virginia, with his wife, kids, and dog. His writing has appeared in a number of places, including Stylus, Paste, Chord, and Trouser Press. His work made its first appearance on CD with the release of Todd Goodman’s first symphony, Fields of Crimson. He’s recently co-founded the literary fly-fishing journal Rise Forms.
Tuesday, May 18 2010
It's unlikely that a post-hardcore band that transformed into an indie-pop act while filling out its complex religious and philosophical traditions would have made the best album of 2009.
Sunday, August 16 2009
It's the enticing performances of the smaller acts -- and not the explosions of the big ones -- that made Woodstock such a singular event.
Wednesday, April 2 2008
Despite intense familiy struggles, Salim Nourallah has truly blossomed into his own as one of the most talented musicians in a too-often overlooked scene.
Friday, August 31 2007
After years of talking about how great this music is, it's time we started actually listening to it. For example, does a song sound like the year 1968, or does it sound like Deep Purple?
Thursday, November 9 2006
With a new Who album out, Townshend talks about connectedness, the joys and perils of technology, and his thoughts on songwriting.
Thursday, May 24 2007
As Evelyn McDonnell's new book illustrates, motherhood should be neither something done on the side, nor something that pushes everything else away, and it's that balance that our culture and government can be striving for.
Tuesday, January 9 2007
Popular songs like Da Muzicianz' 'Hush' suggests that it's not only okay, but romantic and positive to assume to know what a woman wants, and to act in her best interests, while she may not say otherwise.
Tuesday, June 20 2006
Cober-Lake speaks with Chris Pugmire of the Seattle band Shoplifting about politics' place in punk rock, the role of men in feminism, and the dangerous power of language.
Thursday, May 11 2006
Rounder Records' new tween collective, a manufactured group of girls with inflexibly 'distinct personalities', is little more than harmless fun for a very specific target market. But what potential effects will Girl Authority have on the developing identity of its audience?
Monday, March 20 2006
Pink takes on the popular stupid girls, but only a little.
Tuesday, June 17 2014
Wovenhand's central sound remains, but it's expressed through something heavier and, if not more manic, maybe a little broader.
Thursday, May 15 2014
Chew's latest adds up to a classic sort of rock 'n' roll that's equally fit for a theater or a bar.
Tuesday, February 11 2014
It's playful, smart, and technically impressive, and only sort of like a traditional thumbscrew.
Monday, February 3 2014
Bad Debt is as likely to serve folklorists as it was to have been delivered by one.
Wednesday, December 4 2013
It's a strong album, which is what we should be expecting from Parks.
Tuesday, February 7 2012
Performing as Azure Blue, Tobias Isaksson looks back to the 1980s for much of his sound on his new release Rule of Thirds.