Chris Robé is an associate professor of film and media studies. He's published within various journals such as Jump Cut, Cinema Journal, Framework, and Culture, Theory and Critique. His monograph Left of Hollywood: Cinema, Modernism, and the Emergence of U.S. Left Film Culture was published by University of Texas Press. His article, "'Because I Hate Fathers, and I Never Wanted to Be One': Wes Anderson, Entitled Masculinity, and the 'Crisis' of the Patriarch" appears within the anthology Millennial Masculinity: Men in Contemporary Cinema. He has recently published "When Cultures Collide: Third Cinema Meets the Spaghetti Western" in the Journal of Popular Film and Television and "Anarchist Aesthetics and U.S. Video Activism" for Jump Cut. He has recently completed a new book Breaking the Spell: Video Activism and the New Anarchism, which is currently being submitted to publishers. In his spare time he agitates for his friendly faculty union.
Outsiders Looking in at the Republican National Convention 2012 | 9 Sep 2012 // 5:10 PM
In spite of all the rhetoric coming from Chief of Police Jane Castor in the days before the RNC about reserving extra jail space for the thousands they expected to arrest, as of Wednesday morning only three protestors had been arrested: one for wearing a mask, and another two who started a fight with each other at Romneyville.
Occupying Video: The Underbelly of Globalization Caught on Camera | 2 Jan 2012 // 3:00 PM
Occupy Wall Street's strength might be how it enables diverse constituencies to seize upon its imagery and message to engage with social justice concerns, both on the ground and within the video.
Laughing Through the Great Depression With 'Sullivan's Travels' | 15 Apr 2015 // 8:30 PM
The real charm of Sullivan’s Travels is the way it exposes Hollywood’s mediation of the Depression and the trauma it inflicted.
'Boyhood' and the Transcendence of the Everyday | 6 Jan 2015 // 8:30 PM
Boyhood returns to the view that originated with Italian Neorealism: documenting everyday life is the biggest spectacle one could capture on film.
'Mr. Turner' Is a Film as a Canvas | 12 May 2015 // 8:10 PM
Mr. Turner, the biopic of the famous painter J.M.W. Turner, speaks to the inherent difficulties of navigating the art world.
'Dear White People' Untangles Complicated Relations of Racism and Identity | 6 Feb 2015 // 1:00 AM
This film's ability to balance character-driven stories with didactic critiques against the racist practices that haunt our daily lives speaks to a sophisticated outlook rare among first-time directors.