W. Scott Poole is a writer and an associate professor of history at the College of Charleston. He’s the author of Vampira: Dark Goddess of Horror (Counterpoint/Soft Skull Press), a book about the life and strange times of America’s first horror host. He is also the author of the award-winning Monsters in America (2011). Follow him on twitter @monstersamerica.
Sunday, October 10 2004
In contemporary South Carolina, people seem willing and eager to evoke, rather than to exorcize, the ghosts of the past. Yet if you mention its uglier aspects, you will be told, perhaps by someone dressed in a hoop-skirt and getting ready to lead a tour of a 'two hundred yar old plantation', to 'stop living in the past'.
Thursday, November 1 2012
With All In the Family, Norman Lear created a rich stew of social commentary on working class life in Queens, placing the political right in the center of the domestic, where it's always been.
Thursday, September 29 2011
Buy this infuriating and brilliant book. But get it in softcover. You'll be throwing it against your wall.
Monday, June 27 2005
If white folks don't really get the blues, they certainly preserve it, record it, and put together and attend festivals where the music is rightfully celebrated.
Tuesday, April 26 2005
A racist society is one in which significant political and social capital rests in white hands, even if that society gives lip service and official tribute to the ideals of 'tolerance' and 'diversity'. At least in the marginal art form of comics, African American representations are changing.
Tuesday, March 1 2005
The creators of the 'tights and cape' crew that have dominated the comics form for much of its history knew the streets of lower Manhattan and Brooklyn well, but the rural South proved beyond their imagining. 'Captain Confederacy' changed all that.
Tuesday, October 28 2014
Like Neil Gaiman, China Miéville and Catherynne M. Valente, Toby Barlow takes an historic urban space and transforms it into a place to ask questions that haunt us.
Monday, September 29 2014
It opens with images of mortality and ends with a monster’s operatic dance with a chain saw under a deathly, brooding Texas sun—it’s about America, man.
Wednesday, September 24 2014
Sarah Maitland writes How to Be Alone as much for us not-so-troubled loners as she does for the chronically extroverted.
Monday, July 28 2014
Never heavy-handed in its response to Reagan's "Morning in America", The Big Chill shows loss, defeat and grief while still being funny.
Monday, May 19 2014
Some of the seams of the vampire / teenager connection are starting to show.