George de Stefano

George de Stefano is a New York-based writer specializing in culture, politics and sexuality. He is the author of An Offer We Can't Refuse: The Mafia in the Mind of America (Farrar, Straus, Giroux) and a contributor to many other books, websites and print publications.

Features // 4 Articles
Columns // 1 Articles
Reviews // 53 Articles
Blogs // 19 Articles
//Features

What Is New Orleans Producer Carlo Ditta Talkin' About? | 5 Aug 2015 // 9:02 PM

A "keeper of the flame of funk", Carlo Ditta, releases his first album.

Bagels and Bongos: The Klezmatics Present Havana Nagila | 8 Apr 2014 // 9:10 PM

With their new project, the boundary-breaching klezmer band revives and extends the Jewish-Latin musical connection.

//Columns

Elena Ferrante's Neapolitan Quartet Offers Penetrating Psychological and Sociopolitical Insight | 14 Oct 2015 // 9:30 PM

A committed feminist, Ferrante writes with often astonishing candor, even "ferocity", about women's lives, their conflicted relationships with their bodies, with each other, and with men.

//Reviews

Pickett Was Wicked Good and Wicked Bad: 'In the Midnight Hour' | 8 Feb 2017 // 3:29 AM

Tony Fletcher's biography of the great soul singer is a vivid, detailed, and insightful portrait of a complex, talented, and often deplorable man.

The Rolling Stones: Blue and Lonesome | 13 Dec 2016 // 4:36 AM

On their new album, the Stones return to their origins -- but now with greater authority and skill

//Blogs

Tredici Bacci - Amore Per Tutti (album stream) (premiere) | 10 Nov 2016 // 4:54 AM

Composer Simon Hanes and his Tredici Bacci orchestra create a soundtrack for an imaginary Italian movie

White on White: The Misappropriate Commercialization of a Mina Mazzini Song | 7 Nov 2016 // 2:14 AM

A new TV ad for a Las Vegas hotel seems like campy fun. But the subtext isn't so innocent.

//Mixed media
//Blogs

The Moving Pixels Podcast Becomes the 'Beholder'

// Moving Pixels

"It's easy to think that we would never be complicit with the dictates of an authoritarian regime, but Beholder reveals how complicated such choices can become.

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