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Suzanne Enzerink
Image: Suzanne Enzerink

Suzanne Enzerink is an MA student in American Studies at the University of Groningen, The Netherlands, and will be a visiting graduate student at Brown University from August-March. She has written extensively on cultural theory and has a particular interest in the American South and film. For her BA thesis, she was able to combine all three, and wrote on the imbrication of race, class, gender and nationality in D.W. Griffith’s The Birth of a Nation and Victor Fleming’s Gone With The Wind. During a semester at the University of North Carolina, Chapel Hill, she wrote film reviews for The Daily Tar Heel.


Columns

Sunday, May 6 2012

International Beats: The Desire for the Foreign in Kerouac's 'On the Road'

With the film adaptation of On the Road just a month away, it's important to once again define what characterized the Beat movement: an infatuation with the foreign.


Monday, March 19 2012

Deriding Desire: Dorothy Dandridge and the Raced and Gendered '50s

In 1957, Academy Award-nominated actress Dorothy Dandridge found herself at the center of a smear campaign that betrayed the patriarchal and racial politics of Hollywood and the US at large. The '50s were far from calm.


Monday, January 23 2012

The Not-So-Global Globes: International Tensions in the Film Industry

Now that The Artist gave the Golden Globes a distinctly French flavor, and Meryl Streep fueled the controversy in the British camp, a simultaneous rapprochement and tension defines the relationship between the European and American film industry.


Sunday, December 11 2011

Hollywood's Steep Hills: Gender Inequality and 'Miss Representation'

Gender inequality in Hollywood reigns supreme, but as Miss Representation shows, the male/female binary is so insidious that it even makes its way into productions that aim to counter it.


Wednesday, October 26 2011

The Celestial Railroad: Shifting Debates on the Immigrant Experience in 'Sin Nombre'

Illegal immigration is a hotly contested topic in American society and politics. Sin Nombre opens up important questions about migration that documentaries often ignore: there is no such monolithic category as "the immigrant", and migration is not solely an economic decision.


Blogs

Thursday, August 4 2011

Online Fantasy: Kreayshawn's Meteoric Rise to Fame

Female rapper Kreayshawn is on her way to becoming 2011's international sensation after her song "Gucci Gucci" ridiculed all "basic bitches" that value designer clothes. So who is this Oakland-based revelation?


Monday, August 1 2011

The All-Sex Hex: Why Olivia Wilde Deserves More Credit

Now that Olivia Wilde has put rumors of a turbulent post-divorce love life to bed by revealing a "no sex hex" on her new home, it's confront the all-sex hex that has plagued valuations of her acting.


Thursday, June 30 2011

Was Megan Fox Right? The Women of 'Transformers: Dark of the Moon'

Transformers: Dark of the Moon is another exercise in the one-dimensional portrayal of women for Michael Bay.


Friday, May 6 2011

The Mother of All Evil: The Two 'Mother's Day' Films

If you’ve seen Charles Kaufman’s Mother’s Day, you know that loving mothers come in many forms. Now, Darren Lynn Bousman comes with a remake of the 1980 cult classic. A lot less scary, but still, not all moms will appreciate a ticket to the movie theater.


Wednesday, May 4 2011

Feeling at House in Downton Abbey

Downton Abbey is the How the Other Half Lives of period dramas. But rather than inside/outside, upstairs/downstairs emerges as the central division.


Actresses Shining Behind The Cameras (Short Ends and Leader) [27.Apr.11]
The Many Faces of Rutger Hauer (Short Ends and Leader) [21.Apr.11]
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