Elisabeth Woronzoff-Dashkoff is currently a graduate student in the American Culture Studies Ph.D. program at Bowling Green State University, Bowling Green Ohio. She is interested in visual and musical popular culture, and wishes to research the ways in which the role of women in music, both contemporary and historically, have shaped the gender, political and cultural boundaries of the independent and mainstream music industry. I love music in all forms - but there is no way to tell what I will or will not like. One thing remains certain: I love everything Morrissey and Bruce Springsteen have created.
Monday, September 23 2013
Rachel Kushner zealously reminds readers that our identities and relationships with others are performances based on ideas we have learned and practiced.
Tuesday, July 23 2013
The Scent of Cardamom Pistachio Cookies Radiates from the Pages of 'Tomorrow There Will be Apricots'
The novel’s plot is conventional and unsurprising, but Jessica Soffer’s intelligent and vibrant writing redeems.
Tuesday, July 16 2013
Jelly Roll, Bix, and Hoagy breathes new life into the legacy of Gennett Records and fully enmeshes the readers into a world when then unknown musicians rambled to a dusty Midwestern piano factory to record their music.
Tuesday, May 14 2013
This text is more about the history of Peggy (Benedict Arnold) and Lucy (Henry Knox) in concurrence with their husbands, rather than focusing on the women’s autonomous identities.
Thursday, April 25 2013
Les Misérables examines the oppressive paradigms that cause poverty and malevolence, yet makes space for redemption and resilience.