Jeremiah Massengale is an assistant professor of communication arts at the University of the Cumberlands where he also advises the award-winning college newspaper.
Wednesday, October 17 2012
With the end The Mighty Thor, perhaps now's the perfect time to reconsider Kenneth Branagh's critical box office success as a metaphor for the challenges facing the upcoming Thor: God of Thunder.
Tuesday, August 30 2011
Perhaps more than a long, critical gaze at DC's history, Secret Origins makes the incredibly savvy move of rendering the company's 70-plus years as both heartwarming and resilient.
Tuesday, August 9 2011
At first glance, Captain America seems dated. But viewers are quickly reminded that WWII was as much an ideological conflict as a military one. On the battle of ideas, icons matter.
Monday, July 7 2014
I Spy is filled with revolutionary diversity, exotic filming locations, and a textbook example of on screen chemistry.
Thursday, June 5 2014
TINY: A Story About Living Small is a suitably modest documentary that explores whether home is really what you make it or if there’s a minimum size requirement.
Wednesday, April 16 2014
Kermit the Frog may have said it’s not easy being green, but this entertaining documentary shows that it’s sure not easy being a ginger, either.
Wednesday, April 2 2014
Tom Hanks and Emma Thompson are a joy to watch in Saving Mr. Banks, a sweet but worthwhile Disney film about the making of Mary Poppins.
Monday, March 17 2014
The unlikely team of Jason Statham, James Franco and screenwriter Sylvester Stallone gives us Homefront, a mediocre action flick that’s way less fun than it should be.
Friday, April 13 2012
In 1994, the Punisher and his fixer Micro stormed into Riverdale, believing that such a squeaky-clean town must be hiding its own special breed of hell…
Friday, January 13 2012
2011 saw the reboot of the classic show, ThunderCats, on Cartoon Network. But an earlier ThunderCats reboot, in comics, holds lessons for uncovering good from bad reimaginings.
Thursday, January 5 2012
It's only fair to balk at the idea of some changes Criminal Minds producer Ed Bernero has planned for his FOX-optioned pilot of The Punisher. Frank Castle is black-and-white, right? What if the real issue is more complex, and goes to the heart of comics fandom? What if the real issue is, can The Punisher be for everyone?
Monday, August 29 2011
Darkwing Duck is just a kid's book, right? It can't really be commenting on the political landscape can it? I mean, not really in any kind of meaningful way?