Eric Swain is a self-educated game critic. One day he had the crazy idea that video games could be put under the microscope with the same amount of respect and thought that books and movies are only to discover he was not the first person to think of this. He set out to learn all he could and hopefully add to the growing field of game criticism. He has no idea how far he’s come or if he’s moved forward much at all. He graduated from Boston University with a B.A. in English. You can read more of his work at http://www.thegamecritique.com .
Monday, January 26 2015
In Telltale's version of Game of Thrones, you play the parts of people who themselves are playing parts. Each one is not playing the game of thrones, they are pieces in the games of others.
Monday, January 12 2015
Things are funnier when they go terribly wrong.
Tuesday, December 9 2014
Unrest is The Wire, but set in an ancient, mythical India.
Monday, December 1 2014
I kept expecting a villain to pop up or hints of a conspiracy or some outside force that connected all the various vignettes of the story together. In A Golden Wake, there are a bunch of short term goals, but ultimately this is a character-driven narrative.
Monday, November 17 2014
Whereas Jules Verne's novel consisted of only one trip around the world, 80 Days contains multitudes.
Tuesday, January 20 2015
Tuesday, December 16 2014
The first season of Telltale's The Walking Dead earned widespread critical praise, mainstream public appreciation, and a bevy of game of the year awards in 2012. Two years later, The Walking Dead Season Two has received a somewhat more muted reception.
Wednesday, December 10 2014
Here are five of the best mobile games of this year, games that defy the stereotype of iOS and Android games being no more than simple time wasters.
Wednesday, December 3 2014
In Unrest, you play a number of characters who all have their own desires and stories, but you play as each of them, and this leads the player into conflict with the game and himself.
Wednesday, October 15 2014
Spec Ops: The Line isn't a criticism of mediocre shooters, but of the romanticism that has so often gone hand-in-hand with the modern shooter genre.