Call for Essays About Any Aspect of Popular Culture, Present or Past

Norman Ball
Image: Norman Ball

NORMAN BALL’s poems and essays have appeared in Asia Times, Counterpunch, The Berkeley Poetry Review, Rattle, Liberty, Foreign Policy Journal, Global Research and elsewhere. He has a new poetry collection Serpentrope from White Violet Press and his book on TV Culture, Between River & Rock: How I Resolved Television in Six Easy Payments is available from Giant Steps Press with a viewable excerpt at the Museum of American Poetics. Prior essay collections, How Can We Make Your Power More Comfortable? (2010) and The Frantic Force (2011), both widely available on the web, are published by Del Sol Press and Petroglyph Books, respectively.


Features

Tuesday, November 18 2014

Scott Walker and Sunn O))): If You Don't Beat Me, the Stasi Will

Soused’s trapped, bleating circus elephants are harbingers of the prison-planet drones and transhuman monstrosities yet to come. Prepare for heightened beatings, motherfuckers.


Sunday, November 10 2013

Big Data Follows and Buries Us in Equal Measure

Wikileaks’ Julian Assange noted that the East German secret police employed ten percent of the population as informants. The genius of Facebook is that it's an emoticon-besotted surveillance apparatus through which friends rat out friends routinely.


Sunday, June 2 2013

A Ton of Feathers: Behind Enemy Lines with the Sonnet

Without doubt, the sonnet offers rich terrain for rhetorical hijinks and abbreviated exposition. You might rightly ask then, why entrust such a tightly-wound machine to muddle-headed poets?


Monday, April 22 2013

The Stubborn Speed of Sound Advice

We should have more thinking in our writing, even if it slows the normal process of reading to a useful crawl. Intellectual death has already claimed the distracted reader. May vital writers and their dwindling audiences always remain one paragraph ahead of the goon squad.


Sunday, March 24 2013

Scott Walker, The Only One Left Alive

Scott Walker is succeeding, devilishly well, at keeping himself to himself. Each release finds him more withheld to the point where the solipsism on Bish Bosch becomes deafening. We’re still here Scott, some of us anyway, and we are not all store-room dummies.


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