Rob Rubsam is a freelance writer and itinerant resident of upstate New York. His writing about music has been published at CVLT Nation, Tom Tom Magazine, The Rumpus, Burning Ambulance, Spinner, and others. When not contemplating giant squids or erecting a standing stone in his backyard, he tweets at @millenialistfun. Do not contact him with your black mass-related inquiries, please.
Sunday, December 15 2013
By breaking previous genre constraints, Deafheaven and its peers have created a new template, with strangeness no longer the selling the point for extreme music.
Sunday, August 10 2014
Reverie and its new sound may throw some old fans, but that’s a good thing.
Monday, July 7 2014
Savage Gold proves extreme metal to be a race to the bottom that no one wins.
Wednesday, April 23 2014
For what it is, Rented World slays.
Sunday, March 23 2014
Two is certainly a good album, and it’s absolutely the one Owls wanted to make. It’s just not always a record I want to listen to.
Thursday, March 6 2014
Boy sounds like nothing other than Bozulich’s own twisty back catalog, a culmination of a career spent distorting punk rock and country and the blues into exciting new shapes.
Wednesday, December 11 2013
Though this may be the time of year when cloying pop covers of Christmas songs are picked up from far too many supermarket checkout lines, let it not sour you on all covers completely. The ten artists listed herein are laudable exemplars of how to make the cover version an artform all its own.
Wednesday, October 23 2013
Classical and compositional music has continued to thrive in the 20th and 21st centuries, reaching new heights of both dissonance and beauty.
Thursday, October 3 2013
Genres like metal can be experienced as a cleansing agent, removed of anger, sadness, pleasure, and bereft of space and origin. Momentarily, you are negated, a joyous flipside to nihilism.