Articles tagged akira kurosawa, toshiro mifune, shakespeare, maxim gorky, noh theater, japanese cinema

A Nightly Ritual: Bob Dylan’s Never-Changing Set List

Bob Dylan's current show is a book musical without the book, crafted by the American Shakespeare.

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Abandoned ‘Star Wars’ Plot Points, Episode III: Evolution of Light and Dark

"Minch Yoda"? "Darth Wilson"? "Kane Starkiller"? "Cos Dashit"? "Jaster Mereel"? "Gary Vader"? Who are these guys that brought the Star Wars saga we know to life?

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‘Magic Boy’ Is Dotted With Adorable Animals

Magic Boy is Japanese animated cinema in the style of Disney.

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‘Much Ado About Nothing’: Joss Whedon’s Backyard

As the title announces, these romantic games are more or less nothing. What becomes something, even as it is a lie, is the besmirching of Hero to the point that she appears to deserve, in this man's world, all manner of outcasting, even unto death.

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5 Apr 2013 // 9:00 AM

A Thousand Frames: ‘Zayiat’

There's a sort of hypnotics at work in Deniz Tortum's Zayiat that hints at the core idea of the story while still keeping that essential kernel of je ne sais quoi intact.

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History as Fiction / Fiction as History: The Allure of the Historical Novel

Because history can be seen to be a malleable artifact, it’s a useful tool to employ when writing fiction. Because history is often chaotic, fiction can be the best way to approach it.

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The 10 Greatest Shakespeare Film Adaptations of All Time

While some want to question his authorship, there is no denying the lasting influence of William Shakespeare. These 10 titles prove that with accolades to spare.

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Shakespeare Bites Back: Stratford Takes on Hollywood

Eminent Shakespeare scholars present their argument in response to the upcoming release of Roland Emmerich's Anonymous.

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‘High and Low’: This Is Not Your Typical Mindless Rich Guy

Akira Kurosawa makes a daring attempt to tell an epic story of rich businessmen, determined cops, and the low-end criminals and drug addicts struggling to survive.

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The 100 Essential Directors Part 5: Derek Jarman to Mike Leigh

Mid-way through our series, Day 5 is a glorious mishmash of international auteurist cinema. Today we go from saints and sinners, from Brookyln to Britain, from the beginning of time to the Dystopian future, and around the world and beyond.

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‘Pale Flower’: Living for Death

Into this movie's milieu of prison terms, all-night gambling sessions and literal and figurative back-stabbings arrives a dewy young woman named Saeko (pronounced, more or less, 'psycho') who is very young and very tired of life.

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The Individual As Institution: Power, Loss and Madness in Kurosawa’s Ran and Shakespeare’s King Lear

By identifying Lear with the ancient Japanese warlord Hidetora, whose violations emerge from a breach of publicly identified self-hood, Akira Kurosawa plays with the quintessentially Shakespearean focus on individual personality.

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Comparing Akira Kurosawa’s Early and Late Films

There are some striking differences not only between the earlier films of Kurosawa and the later films, but in the very different ways that people have responded to these two different groups of films

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Kurosawa 101: Day Ten, 1991 - 1993

Today we bring to an end our examination of each of the films of Kurosawa directed in his amazing career. After the ambitious epic Ran, Kurosawa embarked a three smaller but more personal films.

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Monster Dandelions and Weeping Demons

In the early 1990s, The Hollywood Reporter picked up on an emerging ‘trend’ of what it called cinema vert -- films about ‘green issues’. Kurosawa’s Dreams, though not financed by the American studio system, fits well in this cohort, albeit as the most formally distinct example of this miniature film movement.

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Kurosawa 101: Day Nine, 1975 - 1985

The three films featured today represented the director's ascendance to greater international acclaim, even while he struggled to find financing in Japan, where the movie industry was shriveling. All three of these films were made either in whole or in part by Soviet, American, or French financing.

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Kurosawa 101: Day Eight, 1963 - 1970

These three films by Kurosawa represent the end of one phase of his career and the beginning of another. High and Low is a police procedural that is regarded as one of his greatest films, while Red Beard represented the end of his so-called "Creative Period".

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Kurosawa 101: Day Seven, 1960 - 1962

Today's Kurosawa 101 reviews cover three of his most popular and accessible films Yojimbo and Sanjuro, as well as arguably his most earnest, The Bad Sleep Well.

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The Brush and the Lens: Kurosawa As Painter and Filmmaker

As a painter and filmmaker, Kurosawa stuck to his own style, informed heavily by traditional Japanese painting as well as European impressionists and expressionists, another arena of art where he answered to both Eastern and Western influences.

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Kurosawa 101: Day Five, ‘Seven Samurai’ (1954)

Today's Kurosawa 101 focuses exclusively on what is generally regarded as not only the greatest Japanese film ever made, but perhaps the greatest in world cinema.

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Truth and Other Restrictions: 'True Detective' - Episode 7 - "Black Maps and Motel Rooms"

// Channel Surfing

"Series creator Nic Pizzolatto constructs the entire season on a simple exchange: death seems to be the metaphysical wage of knowledge.

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