Articles tagged akira kurosawa

23 Oct 2015 // 9:00 AM

Double Take: ‘Yojimbo’ (1961)

When the fighting gets this bad, they don't bother with coffins. Double Take takes sides on Akira Kurosawa's 1961 classic, Yojimbo.

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An Epochal Tragedy Transforms Into a World Cinema Masterwork in ‘Throne of Blood’

By combining Macbeth with elements of traditional Japanese drama, Akira Kurosawa produced a singular, transcultural film experience.

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Abandoned ‘Star Wars’ Plot Points, Episode III: Evolution of Light and Dark

"Minch Yoda"? "Darth Wilson"? "Kane Starkiller"? "Cos Dashit"? "Jaster Mereel"? "Gary Vader"? Who are these guys that brought the Star Wars saga we know to life?

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5 Apr 2013 // 8:00 AM

A Thousand Frames: ‘Zayiat’

There's a sort of hypnotics at work in Deniz Tortum's Zayiat that hints at the core idea of the story while still keeping that essential kernel of je ne sais quoi intact.

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‘High and Low’: This Is Not Your Typical Mindless Rich Guy

Akira Kurosawa makes a daring attempt to tell an epic story of rich businessmen, determined cops, and the low-end criminals and drug addicts struggling to survive.

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The 100 Essential Directors Part 5: Derek Jarman to Mike Leigh

Mid-way through our series, Day 5 is a glorious mishmash of international auteurist cinema. Today we go from saints and sinners, from Brookyln to Britain, from the beginning of time to the Dystopian future, and around the world and beyond.

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The Individual As Institution: Power, Loss and Madness in Kurosawa’s Ran and Shakespeare’s King Lear

By identifying Lear with the ancient Japanese warlord Hidetora, whose violations emerge from a breach of publicly identified self-hood, Akira Kurosawa plays with the quintessentially Shakespearean focus on individual personality.

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Comparing Akira Kurosawa’s Early and Late Films

There are some striking differences not only between the earlier films of Kurosawa and the later films, but in the very different ways that people have responded to these two different groups of films

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Kurosawa 101: Day Ten, 1991 - 1993

Today we bring to an end our examination of each of the films of Kurosawa directed in his amazing career. After the ambitious epic Ran, Kurosawa embarked a three smaller but more personal films.

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Monster Dandelions and Weeping Demons

In the early 1990s, The Hollywood Reporter picked up on an emerging ‘trend’ of what it called cinema vert -- films about ‘green issues’. Kurosawa’s Dreams, though not financed by the American studio system, fits well in this cohort, albeit as the most formally distinct example of this miniature film movement.

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Kurosawa 101: Day Nine, 1975 - 1985

The three films featured today represented the director's ascendance to greater international acclaim, even while he struggled to find financing in Japan, where the movie industry was shriveling. All three of these films were made either in whole or in part by Soviet, American, or French financing.

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Kurosawa 101: Day Eight, 1963 - 1970

These three films by Kurosawa represent the end of one phase of his career and the beginning of another. High and Low is a police procedural that is regarded as one of his greatest films, while Red Beard represented the end of his so-called "Creative Period".

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Kurosawa 101: Day Seven, 1960 - 1962

Today's Kurosawa 101 reviews cover three of his most popular and accessible films Yojimbo and Sanjuro, as well as arguably his most earnest, The Bad Sleep Well.

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The Brush and the Lens: Kurosawa As Painter and Filmmaker

As a painter and filmmaker, Kurosawa stuck to his own style, informed heavily by traditional Japanese painting as well as European impressionists and expressionists, another arena of art where he answered to both Eastern and Western influences.

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Kurosawa 101: Day Five, ‘Seven Samurai’ (1954)

Today's Kurosawa 101 focuses exclusively on what is generally regarded as not only the greatest Japanese film ever made, but perhaps the greatest in world cinema.

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Wide-Screen, Big Ideas: The Wide-Screen Cinema of Akira Kurosawa

After eschewing innovations like color and wide-screen filmmaking, when Akira Kurosawa made the conversion to a wider screen, he did so by making six consecutive films in wide screen, with a degree of success that was as resounding as it was influential.

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West By East By West: The Influence of Kurosawa on the West and Vice Versa

Through his influences and achievements, Kurosawa became one of the first true international filmmakers, inspiring several generations of filmmakers who would explore notions of genre and identity in film.

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Textbook on Film: The Political As Personal in the Films of Kurosawa

Kurosawa's films often act as deliberate examinations of the period in which they took place, exploring not only the difficult realities that existed, but also the personal ordeals of the individuals that had to confront within them.

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A Giant Shadow: The Continuing Influence of Akira Kurosawa on World Cinema

Today it is impossible to imagine a world without the films of Akira Kurosawa. He is easily regarded as one of the very greatest directors in the history of film, having made a host of first tier masterpieces.

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8 Dec 2009 // 12:54 AM

AK 100: 25 Films by Akira Kurosawa

AK 100: 25 Films by Akira Kurosawa, The Criterion Collection [$399.00]

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More Recent Articles
//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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