Articles tagged alfred hitchcock

‘The Lodger’ Is the First True Hitchcock Film and His First Masterpiece

Here we have Hitchcock's first archetype of "the wrong man", his first blonde heroine, and his first cop-boyfriend of ambiguous character. We also have his mastery of image and, ironically for a silent film, of sound.

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Alfred Hitchcock May Be a Moralist, but He Does Not Moralize

Hitchcock’s Moral Gaze argues that Hitchcock examined the darkest edges of his characters to help his audience understand their connection with the act of watching, gazing, and sometimes not connecting.

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Is the Author Gaming Hitchcock? or Is He Getting Gamed by Hitchcock?

“Often when I watch a Hitchcock film in this too-close manner... I am exhausted by the strain of so much scrutinizing… my task has turned me into a freak!”

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Domestic Infelicity: ‘Way Out’ Is Lost and Found on YouTube

Roald Dahl's short-lived anthology feels like a merging of Rod Serling's horror and sci-fi with Alfred Hitchcock's obsession with unhappy marriages.

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Hitchcock’s ‘Suspicion’, ‘I Confess’ and ‘The Wrong Man’ Return in Blu-ray

These three films on DVD from Warner Archives showcase different facets of Alfred Hitchcock's brilliance.

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Hitchcock’s ‘Jamaica Inn’ Is a Good Film That’s Been Sullied by a Bad Print - Until Now

A sparkling new restoration from the British Film Institute, derived from an archival negative, makes the case that Jamaica Inn is much better than its reputation.

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Cannes 2015: ‘Hitchcock/Truffaut’ Looks at Great Directors’ Careers

Even people familiar with both directors will find elements of Hitchcock/Truffaut surprising, especially a moment where Hitchcock seems haunted by the question of whether he might have been looser behind the camera.

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Truffaut Channels Hitchcock and Chabrol in ‘The Soft Skin’

This is a cold film where it's clear something is always wrong, but no one can quite piece together what it is.

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The 100 Essential Directors Part 4: Samuel Fuller - John Huston

On our fourth day, this journey through the 100 Essential Film Directors continues to twist and turn in unexpected ways. From bold, opinionated Hollywood voices to those who essentially created the language of cinema, today will shed light on kings of genre like Samuel Fuller, through lions like the legendary John Huston.

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Three Mel Brooks Films Now on Blu-ray—Alas, They’re Not the Best of Brooks

Great casts, inferior scripts and indifferent production values: Blu-Ray versions of three of Mel Brooks' less successful films will appeal primarily to diehard fans and nostalgia buffs.

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Hitchcock 101: Day Ten, 1963 - 1966

Today we’ll examine the last Hitchcock masterpiece, and begin our discussion of his slow denouement.

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Hitchcock 101: Day Eight, 1956 - 1958

Now entering his creative peak, Hitchcock revisited some older material, reinvigorating it with a global politics and a big budget grandeur.

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Hitchcock and Homework: The Rewards and Perils of Hitchcock in the High School English Class

To what degree should a teacher help a student develop taste? Hitchcock stands as one of hundreds of artists whose work educators might use to explore questions of art and the classroom itself with their students.

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Hitchcock 101: Day Seven, 1954 - 1955

Many film fans consider Hitchcock’s career to have really begun in about 1951 (with Strangers on a Train) and to have ended in 1963 (with The Birds).

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Hitchcock 101: Day Six, 1948 - 1954

In this sixth installment of our overview of Hitchcock’s oeuvre, we take a look at his most divisive period -- a string of wildly inconsistent material ranging from masterpieces to films we didn’t even bother reviewing.

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The Puppeteer of Suspense

No one likes being toyed with, but Hitchcock makes it clear that he is in control; he is directing us, influencing how we think and react to the situation at hand -- and we love him for it.

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Hitchcock 101: Day Five, 1944 - 1946

Three films of the mid-1940s found Hitchcock in an experimental mode. One takes place entirely in a small boat, another explores the idea of the psychedelic, and the third stretches out into the territory of film noir, while animating the post-war sense of global interconnectedness that presaged the Cold War.

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Hitchcock 101: Day Three, 1940 - 1941

New to Hollywood, it didn’t take long for Hitchcock to master his surroundings, winning the Best Picture Oscar with his first American film. Then, it was on to a series of iffy studio experiments, including perhaps the most bizarre entry in his oeuvre, a screwball comedy starring Carole Lombard!

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Hitchcock 101: Day Two, 1935-1938

In Day Two of our Director Spotlight series on the Master of Suspense, we revisit the four strongest films of Hitchcock’s British period.

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Is Suda 51 the Alfred Hitchcock of Video Games?

While Suda 51's public persona is one manufactured within the kind of punk sensibility of a Johnny Rotten, it's still as carefully crafted as the celebrity auteurship of Alfred Hitchcock.

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NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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