Tuesday, January 4 2011
Film scholars Celestino Deleyto and María del Mar Azcona take a close, compelling look at Amores perros, 21 Grams and Babel.
Sunday, January 1 1995
Perhaps more importantly, it offers a welcome antidote to Hollywoody visions of Mexico, revealing an urban Mexico that is neither sanitized nor demonized: for all the death in it, this place feels utterly immediate and alive.
Iñárritu's film has a badly broken heart sputtering beneath all the style, which is something Tarantino hasn't really had the guts to go for yet.