By Cynthia Fuchs
You know you're in trouble when the most appealing element your film is Tom Arnold.
Rescue Me's rhythms are uneven, its tone sometimes spastic, its humor bleak, and its insights into masculine melodramatic pain as acute as any show on TV.
The Dardennes' Laboring Body in 'Two Days, One Night'
The Flash: Season 2, Episode 1 - "The Man Who Saved Central City"
Dungen: Allas Sak
For a Book on Technology, Sven Birkerts' 'Changing the Subject' Is Surprisingly Personal
Drake and Future: What a Time to Be Alive
Matt Nathanson: Show Me Your Fangs
Doctor Who: Season 9, Episode 3 - "Under the Lake"
'The Connection' Makes Familiar Paths Exciting Again
"There’s a preciousness to McCarter and the rest of the mostly young band. You want to freeze the moment, to make sure they are taking it all in too. Because it’s going to change.