By Kevin M. Brettauer
Tony Bedard finds a unique tone for his series that, amazingly, seems to emanate purely from its central characters, infecting the rest of the cast, and even the story, with a sort of self-assured charm and confidence.
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
'Planetes' Should Be Required Baggage on the First Mission to Mars
Negură Bunget: ZI
Neil Gaiman Takes on a Different Perspective
"After a four year break since her last album, Rachael Yamagata reveals a love of spreadsheets, a love for Streisand, and why it's totally OK to suck at playing guitar.