By Cynthia Fuchs
The so-called postmodern self-references of the previous Austin Powers films here become epidemic, though more is not exactly better. It's just more. And it is repetitive.
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Feminist Classic 'Antonia's Line' Is Still Rewarding, Still Relevant
Elizabeth Cook: Exodus of Venus
Yearning for Re-enchantment With the World in Jessa Crispin's 'The Dead Ladies Project'
The Invisible: Patience
Sticking It to the Man with 'SteamWorld Heist'
'Worlds Elsewhere' Makes Clear: Shakespeare Is What We Make of Him
""Doom" is no longer a generic video game title. It's a name, a job description, and a promise.