Articles tagged ben whishaw

Off the Radar - The Top 30 DVDs of 2008

Oddly enough, while the major studios continue scratching their heads over how to sell yet another new format (Blu-ray) to disinterested consumers, several outside distributors made sure that this would be a digital year to remember.

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8 Sep 2008 // 10:00 PM

I’m Not There, and Neither Are You

The Bob Dylan film, I’m Not There, shows that the main puzzle behind pop music’s most enigmatic personality resides right here, within us all.

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25 Jul 2008 // 5:00 AM

Brideshead Revisited

The new Brideshead Revisited doesn't grapple much with Charles' disconcerting mix of nostalgia and odium regarding British aristocracy.

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The Return of the Popcorn Circus: July 2008

And it just doesn't stop. If part two in this three-ring play was packed with well hyped product, July just keeps the receipt treats coming.

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A Gallery of Good Works: The Best Films of 2007

From Julian Schnabel's artsy The Diving Bell and the Butterfly to the legendary Coen Brothers splendid adaptation of Cormac McCarthy's No Country for Old Men, PopMatters counts down the 30 best films of 2007.

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Performance Art: The Best Acting of 2007 - Female

From the most sweetly nuanced performance of Jennifer Jason Leigh's career to Cate Blanchett's revelatory portrayal of Bob Dylan in I'm Not There, the women of 2007 were stellar.

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26 Nov 2007 // 1:42 AM

Director Todd Haynes rediscovers Bob Dylan

NEW YORK—It was in the year 2000 that filmmaker Todd Haynes rediscovered Bob Dylan all over again. “I had always admired Dylan—I was a

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21 Nov 2007 // 3:18 AM

I’m Not There

Dylan Per Se is a trip, an embodiment of potential meanings for fans and detractors, a performative opportunity for movie stars.

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Perfume: The Story of a Murderer (2006)

That Grenouille is also utterly symptomatic -- that is, not an individual so much as a representative of what ails his cultural milieu -- is hardly news.

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//Mixed media

Because Blood Is Drama: Considering Carnage in Video Games and Other Media

// Moving Pixels

"It's easy to dismiss blood and violence as salacious without considering why it is there, what its context is, and what it might communicate.

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