Articles tagged between the grooves

A Crooked and Unseen Highway: lowercase - “She Takes Me”

The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

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Caught in the Machine: Nine Inch Nails  - “Pinion” and “Wish”

“This is the first day / Of my last days." Nine Inch Nails' 1992 EP begins by gradually building up tension, then releasing it in caustic (yet controlled) outbursts that earned the act a Grammy Award.

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United States of Rage and Love: Green Day - “Wake Me Up When September Ends”

The 11th song on American Idiot, "Wake Me Up When September Ends" is arguably the most multifaceted and emotionally powerful composition on the album.

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United States of Rage and Love: Green Day - “Extraordinary Girl” and “Letterbomb”

Heartbreak, rejection, and rebellion collide in catchy, affective, and brilliant fashion on the ninth and tenth tracks from Green Day's 2004 masterpiece.

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When I Grow Up: The Beach Boys - “Do You Wanna Dance?”

Diving into the first track on The Beach Boys Today!, we look at "Do You Wanna Dance", a re-interpretation of a 1958 Bobby Freeman song, and investigate the question of what exactly a Beach Boys song is.

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Scanning the Skies for Solace: Anathema - “Untouchable Pt. 1” and “Untouchable Pt. II”

The first two tracks off of Weather Systems serve as the first of many emotional rollercoasters, bursting with touching lyrics and gripping arrangements.

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Pain in a Hundred Ways: No-Man - “Back When You Were Beautiful”

The final two songs on Together We’re Stranger are the album’s most straightforward. The first of these, “Back When You Were Beautiful”, is a great example of Tim Bowness' literary eye, with some tragicomic instrumentation from Steven Wilson providing a unique and perplexing background to these mournful lyrics.

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Pain in a Hundred Ways: No-Man - “Photographs in Black and White”

"Photographs in Black and White", the longest song on the Together We're Stranger album, is one part introspective Americana and another part ominous drone. It's about how nostalgia so often gives way to darkness.

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Pain in a Hundred Ways: No-Man - “The City in a Hundred Ways”

The brief ambient interlude "The City in a Hundred Ways" is, compared to the other four tracks in Together We're Stranger's opening five-track suite, mostly inconsequential. But what it manages to say in its two and a half minutes is quite resounding.

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A Crooked and Unseen Highway: lowercase - "She Takes Me"

// Sound Affects

"The newest Between the Grooves series tackles Lowercase's Kill the Lights, a great marriage of slowcore and post-punk: raw, angry, sullen, and very much alive almost 20 years later.

READ the article