By Molly Brown
The ambiguous ending in a movie doesn’t feel like 'art'. It feels like a copy. And it resembles the tendency of the franchise ending, with intent to leave it open for a sequel.
Half Memoir / Half Tribute, 'Fetch' Attests to the Power of the Comic Form
Lee Gamble: Mnestic Pressure
Esmerine: Mechanics of Dominion
Family Flavours in Mike Leigh's 'Life is Sweet'
Bell Witch: Mirror Reaper
JD McPherson: Undivided Heart and Soul
'Queer Game Studies' Aims to Break Entrenched Binaries
John le Carré's 'A Legacy of Spies' Has that Old Dark Magic
"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.