By Stephen Tropiano
The fusion of the real and the imaginary is at the center of Fellini's first and one of his most underrated films, The White Sheik.
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UNKLE: The Road, Part 1
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'ORAKL' Brilliantly Breathes New Life Into Georg Trakl's Poetry
Tyshawn Sorey: Verisimilitude
Shelby Lynne and Allison Moorer: Not Dark Yet
How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir
"An ability to manipulate a collective is a hint at what a little boy's power as an individual might be.