By Cynthia Fuchs
The film's primary appeal is the bizarre turn by Noel Coward as Wilson (one of several 'eccentrics' the film trots out to otherize London even as it pathologizes at least one of the yanks).
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"In a world of hitmen, snitches, mobsters, murderers, terrorists, rapists, rioters, bombers, thieves, and serial killers, your greatest enemy is your boss.