Articles tagged cheech marin

Race to Witch Mountain

Race to Witch Mountain holds no surprises (even granting that it's a remake).

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Cheech and Chong: Still Smokin’: I Love the 80’s edtion

In short, this is among the least funny films you will ever see. This is in and of itself quite a serious problem for a comedy, but it gets worse.

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7 Sep 2006 // 12:00 AM

Celebrity Duets

As Michael Bolton oozed across the floor, my interest began to go south faster than a carpetbagger on roller skates.

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9 Jun 2006 // 12:00 AM

Cars (2006)

Thrilling in its shiny surface detail, the NASCAR scene stretches before you like an anthropomorphized vista: this is the immediate future of animation, and Pixar, recently and loudly sold to Disney, means to own it.

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2 Sep 2005 // 1:00 AM

Underclassman (2005)

Before you can say, 'Drew Barrymore', Tre's got himself a spot just outside the cool-kids-on-campus clique.

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This So-Called Disaster (2004)

This So-Called Disaster is more impressionistic than comprehensive.

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Christmas with the Kranks (2004)

Tim Allen needs to stop making Christmas movies.

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13 May 2004 // 1:00 AM

This So-Called Disaster (2004)

The real surprise is Sam Shepard's candor when recounting for Michael Almereyda the painful details of his father's deterioration.

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Spy Kids 2: The Island of Lost Dreams (2002)

Juni and Carmen's perspective, part convincingly ingenuous and part movie-kid calculated, organizes the film's general view of things.

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1 Jan 1995 // 1:03 AM

Spy Kids (2001)

'Spy Kids' is all fun, sometimes obnoxious, and incessantly cheerful -- having your parents kidnapped is a minor inconvenience, leading to the chance to ride in a submarine that looks like a blowfish. How neat is that!"

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1 Jan 1995 // 1:03 AM

Spy Kids (2001)

In the Disney universe, it's normal to be special, and that's exactly the case with the Cortez family, kids and parents alike.

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//Mixed media
//Blogs

Truth and Other Restrictions: 'True Detective' - Episode 7 - "Black Maps and Motel Rooms"

// Channel Surfing

"Series creator Nic Pizzolatto constructs the entire season on a simple exchange: death seems to be the metaphysical wage of knowledge.

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