Friday, November 7 2014
On his first solo release, Epic (from the Chicago hip-hop maestros BBU) obliterates the boundary between personal and political.
Monday, August 26 2013
This book bursts at the seams with enthusiasm not only for movies and architecture, but for people and their passions, and the shared histories between them that have made a life in Chicago.
Wednesday, August 14 2013
After two days in the sun, people came ready to dance on Pitchfork's final day. A stellar, dance-heavy lineup, capped by R. Kelly brought the festival to a satisfying close.
Thursday, August 1 2013
Sunshine and rain, harps and hardcore, and even a giant musical Tesla coil; Day One at Pitchfork 2013 was a gloriously uneven experience.
Sunday, July 28 2013
Even if it is a little too star-studded, Rhythm & Blues is another unwavering piece of devotion from Buddy Guy.
Wednesday, June 19 2013
On his second mixtape Chicago's Chance the Rapper takes us on a psychedelic journey that's as ambitious as it is appealing.
Monday, May 20 2013
Chicago rapper/producer Tree flips a sample of the Elvis classic "Can't Help Falling in Love" and makes the track his own with his gruff, elastic vocal delivery and alternately tough and clever lyricism.
Thursday, April 25 2013
Chicago's artfully embellished trio My Gold Mask deliver style, panache, and otherworldy grooves with eerie ease.
Monday, January 21 2013
The biggest difference between the Black Chicago Renaissance and the Harlem Renaissance is brand awareness. The fact is, from roughly the early ‘30s to the ‘50s, Chicago was black America’s most fruitful cultural capitol.
Tuesday, July 24 2012
The first day of Pitchfork delivered a broad sampling of genres from art rock to hip-hop and was capped by a surprisingly muscular set from Feist.