Articles tagged comics, propaganda, chick tracts, captain america, mickey mouse

Mindbending Avenging in ‘All-New, All-Different Avengers #8’

This comic gives the impression that the human mind is stronger and more rational than daytime talk shows would have us believe.

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Ta-Nehisi Coates Brings a Steady Hand to ‘Black Panther #1’

Acclaimed writer Ta-Nehisi Coates has never written a comic book before, but this first issue of Black Panther puts to rest any fears of a vanity project gone bad.

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The Extraordinarily Advanced Basics in ‘X-men 92 #1’

The golden era of X-men injects fresh energy into a current era of uncertainty.

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Families, Flashbacks, and Fodder in ‘International Iron Man #1’

Tony Stark's secret origin takes a small, but meaningful step forward.

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Tomorrow Belongs to Me: “Freedom’s Call”, Donald Trump and Propaganda

When you see and hear a group of children in star-spangled cheerleader outfits lip-syncing the words “Cowardice! Are you serious?” to an EDM reworking of the 1917 patriotic song “Over There”, that is the moment you should wake up.

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When Worlds Collide (and Thrive): Batman/Teenage Mutant Ninja Turtles #3

An unusual crossover creates extraordinary results.

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17 Feb 2016 // 3:05 AM

May the Puke Be With You

Brian Chippendale’s Puke Force has static on every page; not motionless images but bits of visual noise. It's like watching a great old TV show with bad reception.

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‘Deadpool #7’ Is Overpriced, Chaotic, and Undeniably Entertaining

Rude, crude, and perfectly in context.

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‘The New Mutants’ Is Rooted Both in Scholarship and in the Rich History of Superhero Narratives

Books about comic books, even scholarly ones, should be fun; The New Mutants certainly is.

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Fantagraphics Artist Daniel Clowes Takes on Gender Inequality in Comics Establishment

Artist Daniel Clowes and his publisher Fantagraphics, unleashed a storm of media attention last week when they announced Clowes would be withdrawing his name as nominee for the prestigious Grand Prix d’Angouleme

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The Morningstar Shines Again in ‘Lucifer #1’

The Devil you know is back in his newest Vertigo chapter.

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Back to the Drawing Board With ‘Flash Gordon Volume 4: The Storm Queen of Valkir’

At first, Austin Briggs’ work feels like a simplified version of Alex Raymond’s, the boldness of the characters’ figures and poses replaced by understated charm.

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21 Dec 2015 // 8:00 AM

Avengers Assemble!

The Avengers have never before been assembled quite as exhaustively as in the pages of The Avengers Encyclopedia.

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Will Eisner: Champion of the Graphic Novel

Paul Levitz weaves comic legend Will Eisner's life into the long history of sequential art in the 20th century.

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The Modest Man Returns in ‘Huck #1

Mark Millar's new hero is as simple as he is super.

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Powers Are All in the Family in “The Vision #1”

The Vision has settled down. But that hardly means things are settled.

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It’s Alive! The Changing Face of Dick Briefer’s Frankenstein

Dick Briefer's Frankenstein was a patchwork monster, both horrible and hilarious. Few comic book creations can claim as much life as this creature possessed.

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The Necessary Audacity of ‘Bitch Planet’

Kelly Sue DeConnick doesn't go easy on the patriarchy.

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Arrow: Season 4, Episode 1 - “Green Arrow”

Arrow slowly but surely embraces its comic book roots, which results in an exciting season four premiere.

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Vulnerable Invincibility in ‘Invincible Iron Man #1’

Forging a more balanced Tony Stark.

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'SUPERHOTLine Miami' Is Exactly What It Sounds Like

// Moving Pixels

"SUPERHOTLine Miami provides a perfect case study in how slow-motion affects the pace and tone of a game.

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