Articles tagged comics

Bracing for Heartbreak and Embracing It in ‘Ms. Marvel #8’

Her heart is in the right place. Her ideals are respectable. She sees the world through Disney-like ideals. It's clear that those ideals are destined to shatter.

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Divisions in a Dystopian Present in ‘Civil War II: X-men #1’

A bad situation brings out a different kind of drama within the X-men.

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Custody-Con 2016: ‘A Hundred Thousand Worlds’

Proehl’s multisided take on geek culture (mixing fandom, creativity, and business) pulsates with colorful insight and ugly truths.

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One Batch, Two Batches of Violence in ‘Punisher #1’

This comic sports the proper amounts of violence and brutality to be a warm return to form for any reader fond of the famous Garth Ennis or Jason Aaron MAX runs.

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Through Loosely Connected Sub-plots, a Foundation Is Laid in ‘Civil War II #0’

Civil War II #0 serves merely as the opening credits to a much larger story to come.

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‘Preacher’ on AMC: ‘The comics are really gross. They managed to capture that’

The creators and cast insist they’re ready for some backlash -- but only, it seems, to a point.

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Beyond the Credits With ‘Independence Day #2’

The mythos of the movie expands in this comic, but not in all the right directions.

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Hope, Love, Bikinis and ‘Starfire #12’

When a female character can be both lovable and sexy, everybody wins.

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Drawing Disaster: Comics, War and Trauma

Disaster Drawn reveals that comics may be the most useful form for witnessing war and trauma.

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Mindbending Avenging in ‘All-New, All-Different Avengers #8’

This comic gives the impression that the human mind is stronger and more rational than daytime talk shows would have us believe.

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Ta-Nehisi Coates Brings a Steady Hand to ‘Black Panther #1’

Acclaimed writer Ta-Nehisi Coates has never written a comic book before, but this first issue of Black Panther puts to rest any fears of a vanity project gone bad.

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The Extraordinarily Advanced Basics in ‘X-men 92 #1’

The golden era of X-men injects fresh energy into a current era of uncertainty.

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Families, Flashbacks, and Fodder in ‘International Iron Man #1’

Tony Stark's secret origin takes a small, but meaningful step forward.

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When Worlds Collide (and Thrive): Batman/Teenage Mutant Ninja Turtles #3

An unusual crossover creates extraordinary results.

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17 Feb 2016 // 3:05 AM

May the Puke Be With You

Brian Chippendale’s Puke Force has static on every page; not motionless images but bits of visual noise. It's like watching a great old TV show with bad reception.

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‘Deadpool #7’ Is Overpriced, Chaotic, and Undeniably Entertaining

Rude, crude, and perfectly in context.

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‘The New Mutants’ Is Rooted Both in Scholarship and in the Rich History of Superhero Narratives

Books about comic books, even scholarly ones, should be fun; The New Mutants certainly is.

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Fantagraphics Artist Daniel Clowes Takes on Gender Inequality in Comics Establishment

Artist Daniel Clowes and his publisher Fantagraphics, unleashed a storm of media attention last week when they announced Clowes would be withdrawing his name as nominee for the prestigious Grand Prix d’Angouleme

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The Morningstar Shines Again in ‘Lucifer #1’

The Devil you know is back in his newest Vertigo chapter.

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Back to the Drawing Board With ‘Flash Gordon Volume 4: The Storm Queen of Valkir’

At first, Austin Briggs’ work feels like a simplified version of Alex Raymond’s, the boldness of the characters’ figures and poses replaced by understated charm.

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More Recent Articles
//Mixed media
//Blogs

Paul McCartney: Pure McCartney (take 2)

// Sound Affects

"Pure McCartney really is a compilation for those wanted to dip their toes in wading pool instead of jumping waterfalls.

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