Articles tagged comics

It’s a Personal Apocalypse in ‘Uncanny X-men #10’

Cullen Bunn ends Apocalypse Wars with a choppy, but personal touch.

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Is Punishing a Crime Before It’s Committed a Crime Itself?

A major death raises the stakes for the present and future in Civil War II #3.

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Imagine Hannah-Barbera Characters in a Beyond Thunderdome Setting

In Wacky Raceland #1, a post-apocalyptic Hannah-Barbera universe sees what classic characters do now that they're being written to think and act like adults.

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If Only ‘Everything Is Teeth’ Had Been Content to Remain a Mood Piece

It's as though Wyld is, ironically, scared of writing a story willing to give fear its due.

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A Shakeup in Wonder Woman’s Mythology Becomes Flat and Confusing

Although there's some intrigue, Wonder Woman #1 leaves too many unanswered questions, and too few reasons to get excited.

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‘Wacky Raceland #1’ Is Dark and Unexpected

For those of us old enough to remember televised Saturday morning cartoons way back when, this take on the genre is a revelation.

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Bracing for Heartbreak and Embracing It in ‘Ms. Marvel #8’

Her heart is in the right place. Her ideals are respectable. She sees the world through Disney-like ideals. It's clear that those ideals are destined to shatter.

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Divisions in a Dystopian Present in ‘Civil War II: X-men #1’

A bad situation brings out a different kind of drama within the X-men.

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Custody-Con 2016: ‘A Hundred Thousand Worlds’

Proehl’s multisided take on geek culture (mixing fandom, creativity, and business) pulsates with colorful insight and ugly truths.

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One Batch, Two Batches of Violence in ‘Punisher #1’

This comic sports the proper amounts of violence and brutality to be a warm return to form for any reader fond of the famous Garth Ennis or Jason Aaron MAX runs.

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Through Loosely Connected Sub-plots, a Foundation Is Laid in ‘Civil War II #0’

Civil War II #0 serves merely as the opening credits to a much larger story to come.

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‘Preacher’ on AMC: ‘The comics are really gross. They managed to capture that’

The creators and cast insist they’re ready for some backlash -- but only, it seems, to a point.

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Beyond the Credits With ‘Independence Day #2’

The mythos of the movie expands in this comic, but not in all the right directions.

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Hope, Love, Bikinis and ‘Starfire #12’

When a female character can be both lovable and sexy, everybody wins.

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Drawing Disaster: Comics, War and Trauma

Disaster Drawn reveals that comics may be the most useful form for witnessing war and trauma.

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Mindbending Avenging in ‘All-New, All-Different Avengers #8’

This comic gives the impression that the human mind is stronger and more rational than daytime talk shows would have us believe.

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Ta-Nehisi Coates Brings a Steady Hand to ‘Black Panther #1’

Acclaimed writer Ta-Nehisi Coates has never written a comic book before, but this first issue of Black Panther puts to rest any fears of a vanity project gone bad.

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The Extraordinarily Advanced Basics in ‘X-men 92 #1’

The golden era of X-men injects fresh energy into a current era of uncertainty.

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Families, Flashbacks, and Fodder in ‘International Iron Man #1’

Tony Stark's secret origin takes a small, but meaningful step forward.

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When Worlds Collide (and Thrive): Batman/Teenage Mutant Ninja Turtles #3

An unusual crossover creates extraordinary results.

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Culture Belongs to the Alien in 'Spirits of Xanadu'

// Moving Pixels

"The symbols that the artifact in Spirits of Xanadu uses are esoteric -- at least for the average Western gamer. It is Chinese culture reflected back at us through the lens of alien understanding.

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