Articles tagged crime

De Niro’s Rupert Pupkin Is Far More Menacing and Relevant Today Than His Travis Bickle

What is it about Martin Scorsese's The King of Comedy that made its menace too intense for audiences than other gangster dramas of the '80s?

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How It Slips Away: ‘The Breaking Point’ Crosses Hemingway With Noir

Whether we've seen or read the story before, we ache for these sympathetic, floundering people presented to us gravely and without cynicism, even when cynical themselves.

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‘Logan Lucky’ Is an Oftentimes Funny Mishmash of Absurdism and Realism

Filled with colorful characters and playful plot twists, this hillbilly heist proves that Steven Soderbergh still loves a good con game.

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18 Aug 2017 // 2:00 AM

‘Narcos’ and the Trap of Tropicalism

How the Netflix original series Narcos “otherizes" Colombia and the Latin American through its single-story focus.

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A Nice Guy in Noirland Reaches ‘The Breaking Point’

This 1950 adaptation of Ernest Hemingway's To Have and Have Not features John Garfield and director Michael Curtiz at their best.

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‘Orphan Black’ Closes With a Reaffirmation of the Power of Sisterhood

The way Orphan Black always put women at the center of its story, never shortchanging their complexity for likability or easy solutions, is what will be most remembered and missed.

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Sacha Guitry’s ‘La Poison’ Is a Small, Sour Masterpiece of Provincial Satire

This is a very dark and sardonic explosion of all the polite conventions that grease society -- and other movies.

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Is a Feminist Revolution Unfolding on ‘Game of Thrones’ and ‘Twin Peaks’?

Game of Thrones and Twin Peaks share cultural DNA in their pervasive and structural violence against women, yet both seem to be transforming into unlikely forms of feminism on television.

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‘Orphan Black’: Helena’s Past and Present Are the Fulcrum of “One Fettered Slave”

Absent for much of the season, Helena (Tatiana Maslany) is front and center in "One Fettered Slave".

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‘Straw Dogs’ Searches for Human Nature but Finds Only Misogyny

The iconic value of Sam Peckinpah's filmic capture of human depravity doesn't outweigh its tired nihilism and especially its misogyny.

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‘Orphan Black’: The Importance of Family and Sacrifice Are the Heart of “Guillotines Decide”

Art and death go hand in hand in one of Orphan Black's final episodes.

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A Lost Highway Revisited: ‘Twin Peaks’ and the Loss of Innocence

While the new Twin Peaks might not be able to reclaim its former innocence, Dale Cooper somehow hangs on to his.

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Kathryn Bigelow’s Intense ‘Detroit’ Finds a Glimmer of Hope Amidst the Hopelessness

This is no one's neighborhood. Detroit doesn’t help anyone to feel at home, least of all viewers.

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The Technology in ‘Ghost in the Shell’ Remake Fascinates But the People, Not So Much

The live-action remake of the landmark 1995 philosophical action anime about cyborg humanity wraps the same material in a shiny new package.

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‘Orphan Black’: Rachel Makes a Brutal Choice in “Gag or Throttle”

"Gag or Throttle" exemplifies how well the series combines plot, character payoff, and great pacing with the consistently outstanding acting of Maslany and company.

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The Ongoing Struggle With Society in ‘The Savage Innocents’

Nicholas Ray's personal frustrations inform his fable of the far north, now on Blu-ray by Olive Films.

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‘Orphan Black’: Krystal Is the Amusing Delight of a Serious Story

The islanders rebel, Cosima escapes, and everything is coming to a head in "Manacled Slim Wrists".

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‘Orphan Black’: “Ease for Idle Millionaires” Allows Maslany’s Portrayal of Cosima to Shine

"Ease for the Idle Millionaires" pulls at the complex and interconnected plot threads, while giving Maslany endless opportunities to showcase her talent.

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‘Orphan Black’ - ‘Let the Children and the Childbearers Toil’ Tackles Mothers and Daughters

Almost halfway through the final season, Orphan Black continues to showcase the complex relationships of the sisters and those closest to them.

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‘The Lodger’ Is the First True Hitchcock Film and His First Masterpiece

Here we have Hitchcock's first archetype of "the wrong man", his first blonde heroine, and his first cop-boyfriend of ambiguous character. We also have his mastery of image and, ironically for a silent film, of sound.

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'Inside' and the Monstrosity of Collectivism

// Moving Pixels

"An ability to manipulate a collective is a hint at what a little boy's power as an individual might be.

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