Articles tagged crumb, r. crumb, r crumb, robert crumb, zwigoff, david lynch, documentaries, comic books, comix, comics, graphic novels, art

More Than Fangirls: Reading ‘The Spectacular Sisterhood of Superwomen’ in Trump’s America

There are a lot of strong female characters here. There are just as many, however, who are fit only to remind us of how far we have to go.

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Puerto Rican Illustrator Rosa Colón on Her Ode to Leaving Home, ‘Goodbye for Now’

Reminiscent of the short, simple stories of Adrian Tomine, Goodbye for Now shows the personal side of Puerto Rico’s ongoing economic crisis.

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Shaping a Sibling Rivalry in ‘All-New Wolverine #25’

Laura and Daken deal with a new threat that requires strengthening a strained sibling relationship.

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Comics Scholarship Finds Its Voice With ‘INKS’ and ‘Drawing the Line’

From Ohio State (a hotbed for comics studies) comes INKS and Drawing the Line, books for both academics and fans of comics alike.

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The Joke’s on Batman in ‘Batman: White Knight #1’

This story doesn't just tweak the winning formula that has made Batman so successful over the past 70 years. It turns it on its head, inside out, and everything in between.

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Aquaman, Blooperman, Plastic Man, Bee-Man, Fatman: ‘Hero-A-Go-Go’!

Former DC editor Michael Eury offers up a loving look at the age of high cultural camp in comics and more in this collection of campy curios.

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‘Language Barrier’ Illustrates That Words Are Pictures Too

This surreal exploration of the peculiar boundary between words and pictures dives directly into the deep end of the image-text pool.

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On Memory and Nostalgia: Seth’s ‘Palookaville 23’

A wonderful addition to Seth’s already brilliant body of work, Palookaville 23 is a reminder of how much time he’s dedicated to his art, and how worthwhile that time has been.

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Idols, Ideals, and Reminders in ‘Generations: Captain Marvel & Ms. Marvel #1’

Ms. Marvel reconnects with her idol, but a choppy narrative limits the impact.

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Jack Kirby’s Influence Is Felt on Nearly Every Page of ‘Marvel Year By Year’

All of the important in-continuity events are here: the death of Gwen Stacy, the Kree-Skull War, the death of Jean Grey, Civil War.

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Titles, Legacies, and Basics in ‘Generations: Captain Marvel & Captain Mar-Vell #1’

Carol Danvers gets back to basics on what it means to be Captain Marvel.

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TIFF 2017: ‘Faces Places’ (Visages Villages)

Agnès Varda's usual cinematic beauty and charm come through, with her subjective experience creating a wonderfully delightful film about art.

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The Next Hot Music Scene Can Be Found at Twin Peaks’ Bang Bang Bar

One of the most heartening and compelling aspects of David Lynch's approach to this new season of Twin Peaks is his widened musical palette.

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O Brother, How Art Thou? Grayson Perry’s ‘The Descent of Man’

The Descent of Man is a spider's web of a book: fine, delicate and strong, catching and highlighting the trappings of modern masculinity without force.

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Just Flying Through: ‘Generations: Iron Man and Ironheart #1’

A chance for Riri (Ironheart) Williams to expand her appeal fails to take off.

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Will David Lynch Ever Make Ronnie Rocket?

With the Twin Peaks revival underway, perhaps the surrealist filmmaker will revisit his famously un-produced project.

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‘The Legion of Regrettable Supervillains’ Is a Read You Won’t Regret

For a book about the worst of comic book bad guys, The Legion of Regrettable Supervillains isn’t bad at all. In fact, it’s good fun.

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Hammering Hard With Worthy Themes in ‘Generations Unworthy Thor & The Mighty Thor #1’

The life of two worthy souls become entwined in an all-too familiar, but still worthy narrative.

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‘Blade II’ Pioneers the Marvel Sequel Yet Remains Hopelessly Outdated

If Blade reflected its time in 1998, Blade II, despite of-the-moment visual effects dazzling action, feels like a film from an earlier era.

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Legacy, Family, and Ninjas in ‘Marvel Generations: Wolverine & All-New Wolverine #1’

This comic is worth its weight in dead undead ninjas.

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NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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