By Chadwick Jenkins
The film abandons criticism for adulation, neglects a consideration of his work in favor of an overblown romance, and eschews commentary by replacing it with atmosphere.
David Bowie: Who Can I Be Now? (1974/1976)
Erroll Garner: Ready Take One
Ways of Seeing Kate Bush
Play Out the Play: Orson Welles’ Chimes at Midnight
Hieroglyphic Being: The Disco's of Imhotep
On Friedrich Nietzsche's Early Intellectual, Emotional, and Spiritual Development
The Frightnrs: Nothing More to Say
"Rainer Werner Fassbinder is the whole show.