Articles tagged dance, supers, comic, webseries, series

Crowd Pleasing ‘Step’ Brims With Humanity and Courage

Amanda Lipitz’s debut feature is an unrepentant hug in a world more accustomed to gut punches.

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Terror Pigeon! - “OtherSong” (audio) (premiere)

Funcore troubadour Terror Pigeon! returns with single "OtherSong".

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26 May 2017 // 8:48 AM

Leftfield: Leftism 22

Leftism 22 is a document in the history of progressive house, but also a loose, pleasurable excursion as comfortable with the dance floor as it is with sweeping, cinematic beauty.

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Fabriq - “Electric Flow” (audio) (premiere)

Fabriq updates '70s disco and funk sounds with an electropop sheen and creates an exciting first single in "Electric Flow".

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Black and White and Katrina All Over: Jazz Religion, the Second Line, and Black New Orleans

One of the best things about this updated edition of Jazz Religion, the Second Line, and Black New Orleans is that it looks at what’s to come just as much as it looks at bygones.

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French Horn Rebellion: Classically Trained

Nailing a retro '80s synthpop style only takes you so far. French Horn Rebellion has a full album of good songs in them, but this is not that album.

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The 10 Best Dance Songs of 2016

From the '90s-flavored house of London-based Antony & Cleopatra to French electronic duo You Man, here is a collection of songs from DJs, producers, and electronic musicians that continue to push the frontiers of artistic expression.

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Yoko Ono - “Hell in Paradise” (Camelphat Remix) (premiere)

Yoko Ono's latest club banger "Hell in Paradise" gets a funky remix from Camelphat.

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Various Artists: Boogie Breakdown: South African Synth Disco 1980-1984

Not much music got out of South Africa in the late apartheid era, but Hot Chocolate and Keith Sweat must have gotten in.

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Zadie Smith’s ‘Swing Time’ Does a Difficult Dance

Learning from the past is not as simple as pressing rewind: it's a dance that's quite difficult to execute.

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14 Nov 2016 // 3:20 AM

Body Language: Mythos

Seasoned though they may be, Body Language maintain the youthfulness and vigor of a band just starting out, and this album still has the charm and promise of a debut.

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2 Nov 2016 // 12:45 PM

Kaytranada - “You’re the One” feat. Syd (Singles Going Steady)

Kaytranada's classic, echoing beats, driving bass, and retro synth sounds provide the perfect backdrop for Syd's voice

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31 Oct 2016 // 10:06 AM

French Horn Rebellion - “Buddy Holly” (Weezer cover) (premiere)

On a day like Halloweeen that's made for fun, French Horn Rebellion share a mega funky synthpop take on the Weezer classic, "Buddy Holly".

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26 Oct 2016 // 2:05 AM

Cassius: Ibifornia

Cassius offer up a sunshine disco album sorely lacking identity.

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Harrison: Checkpoint Titanium

While there are moments of humanity here, Harrison does not do enough to capitalize on his own strengths, and his weakness for generic sound palettes causes the album to sink.

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13 Sep 2016 // 2:30 AM

M.I.A.: AIM

M.I.A.'s pop-centric fifth and supposedly final album feels much more like a pit stop than a destination.

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12 Jul 2016 // 2:10 AM

Kaytranada: 99.9%

Montreal-based producer Kaytranada attempts a lot of things on his debut. When he hits the mark, it's great. If only he hit the mark just a bit more often.

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Pointer Sisters: Greatest Hits (Expanded Edition)

Despite its title, this Greatest Hits comp deftly mixes radio smashes with lesser-known album cuts to paint a picture of a group burgeoning on pop stardom, but stops just a breath before they got there.

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Jain - “Come” (Frank Pole remix) (audio) (premiere)

Jain’s “Come” has already done quite well for itself, hitting #1 on the French pop charts in no small part thanks to its snappily syncopated blue-eyed-soul thump.

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Principled Pleasure: Janet Jackson’s ‘Control’ at 30 Still Commands Respect

A masterpiece of self worth-themed contextual pop proves our idiocy for downgrade shaming her to the status of "wardrobe malfunction".

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More Recent Articles
//Mixed media

//Blogs

"No Dollars in Duende": On Making Uncompromising, Spirited Music

// Sound Affects

"On the elusive yet clearly existential sadness that adds layers and textures to music.

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