By Chris Barsanti
Strauss turns a sociological eye on his cast of characters and seems at times on the verge of creating a Bonfire of the Vanities for the new millennium.
Feminist Classic 'Antonia's Line' Is Still Rewarding, Still Relevant
Coulda Been Country: The Allman Brothers Dickey Betts' Great Southern Songs
Elizabeth Cook: Exodus of Venus
Yearning for Re-enchantment With the World in Jessa Crispin's 'The Dead Ladies Project'
The Invisible: Patience
Sticking It to the Man with 'SteamWorld Heist'
'Worlds Elsewhere' Makes Clear: Shakespeare Is What We Make of Him
Mitski: Puberty 2
"I get angry in Overwatch not because I hate to lose, but because most of the time when I do lose, I can see so clearly how the loss could have been avoided.