By Cynthia Fuchs
The most impressive effect in 30 Days of Night is Danny Huston's haircut.
David Slade's film is discomforting, pressing at collective nerves exposed by any number of recent 'investigative reports' on child predators.
Feminist Classic 'Antonia's Line' Is Still Rewarding, Still Relevant
Coulda Been Country: The Allman Brothers Dickey Betts' Great Southern Songs
Elizabeth Cook: Exodus of Venus
Yearning for Re-enchantment With the World in Jessa Crispin's 'The Dead Ladies Project'
The Invisible: Patience
Sticking It to the Man with 'SteamWorld Heist'
'Worlds Elsewhere' Makes Clear: Shakespeare Is What We Make of Him
""Doom" is no longer a generic video game title. It's a name, a job description, and a promise.