By Cynthia Fuchs
The most impressive effect in 30 Days of Night is Danny Huston's haircut.
David Slade's film is discomforting, pressing at collective nerves exposed by any number of recent 'investigative reports' on child predators.
Jlin: Black Origami
Wooden Wand: Clipper Ship
Walerian Borowczyk Explores the Obsessive Quest in 'Story of Sin'
Los Straitjackets: What's So Funny About Peace, Love and Los Straitjackets
Maybe What's Going on in 'Get Out' Is All in His Head
‘Shake It Up’: All the Music That’s Fit to Freak Out About
The Journey to Paul Gauguin’s Other World Is Well Worth Taking
Cannes 2017: Border Crossings in 'Jupiter's Moon' and 'Okja'
"In our role of the spooked cameraman, there’s just enough light to highlight our confinement -- but not enough to highlight the dangers.