Thursday, October 27 2011
Both instant gratification and an acquired taste, Panic of Girls finds Blondie as unpredictable as ever.
Tuesday, January 19 2010
Koo Koo (1981) and Def, Dumb & Blonde (1989) find Deborah Harry breaking convention and aiming for that elusive hit.
Thursday, March 26 2009
Coixet’s examination of age and the natural process of dying are refracted through a spectrum of cultures, ages, experiences and fears that are atypical of contemporary American films.
Sunday, December 9 2007
Deborah Harry's first solo album in 14 years is mostly awful, a depressing example of an artist failing at the very things she used to better at than anybody else.
Tuesday, November 20 2007
Nowhere will you find a more voracious audience for Deborah Harry than in the East Village. But what happens when the ticket doesn't read "Blondie?"
Monday, October 15 2007
Record Mirror called Debbie Harry's KooKoo "riveting". Smash Hits called it "dull". PopMatters speaks with the man behind a notoriously misunderstood album and why listeners didn't even remove the shrink-wrap.
Sunday, October 14 2007
The doyenne of New York's downtown scene gets "dirty and deep" with her fifth solo album. Harry talks to PopMatters and we offer a guide to her solo years.
Monday, February 23 2004
Her capacity for intense focus, as Polley observes, makes Ann seem unusual, 'incredibly efficient and practical'.
Thursday, November 20 2003
Ann's decision not to tell seems simultaneously selfless and selfish.