Wednesday, October 15 2008
Day Three - The final ten, a cross-culture collection teeming with big ideas, larger than life visions, and perhaps the greatest documentary on rugby you've probably never heard of.
Tuesday, October 3 2006
An excellent noir, or a tragicomedy, about the repressed beliefs in all of us.
Friday, August 25 2006
Violence liberates Edmond from society's restraints, focuses him on fulfilling his own desires, makes him appealing to the opposite sex.
Wednesday, October 12 2005
The atrocious new UPN series Sex, Love & Secrets fails to drum up the slightest distinction even to be a guilty pleasure.
Thursday, December 5 2002
Of the many crazy clichés in Empire, Isabella Rossellini's big fat hair has to be the loony-tunesiest.
Friday, May 31 2002
Peppered with Chappellian hilarities (and the man can riff), it is more like Austin Powers than a hard-hitting satire, minus Mike Meyers' mania, plus Lee's deft direction and Griffin's own brand of energy.
Sunday, January 1 1995
I can't help it; whenever I hear that opening theme music to a James Bond film, I get a tingle. I can't help but to hope for the best. This time out, my hopes were raised by a great opening sequence to The World Is Not Enough, which involves a thrilling highspeed boat chase. What's more, TWINE gives us the premise for a most excellent villain.
Valentine's message is that women who overstep their bounds deserve physical, motional, and sexual abuse, because of how they perpetually victimize men. And so, what is actually scariest about 'Valentine' is the film's tacit attitude that these girls had it coming.