Articles tagged dollhouse

“It’s Fun Being An Asshole!”: An Interview with Fran Kranz on Joss Whedon

The actor behind the lovable stoner from The Cabin in the Woods and Dollhouse's conniving programmer dishes about working with Joss Whedon, horror movies, and fan attention.

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Voluntary Amnesia in ‘Dollhouse’ and ‘Pygmalion’

Long before Dollhouse's Echo submitted herself to five years of memory loss, Eliza Doolitle of Pygmalion experimented with some personal tabula rasa.

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14 Apr 2011 // 10:00 PM

Whedon and Company: Worlds Await

The formal creation of Buffy Studies -- and therefore Whedon Studies -- was born with the creation of the online journal Slayage 10 years ago. Here the coeditor of Slayage, Rhonda V. Wilcox, offers some reflections on our obsessions with the output of a certain TV creator.

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Joss Whedon: Pioneer of the Body Count

Among Joss Whedon's greatest contributions to television has been the continual use of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger.

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11 Apr 2011 // 10:00 PM

The Power of Fandom in the Whedonverse

While viewers watch television and film for entertainment, it's easy to forget that these media are industries. In this essay the changing relationships between creators, studios, distributors, and an increasingly active fandom are examined.

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The Dystopian Future in Joss Whedon’s Work

In contrast to the utopian vision of the future found in sci-fi series like Star Trek, Joss Whedon's creations show a different vision of the future. And it isn't pretty.

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The Big Bad Universe: Good and Evil According to Joss Whedon

Most of Joss Whedon's work has been characterized by Big Bads. But the lines separating Good and Evil are more complex than one might expect.

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‘Buffy’ and ‘Dollhouse’: Visions of Female Empowerment and Disempowerment

While Buffy has been universally acclaimed as a great work of TV feminism, Dollhouse has been denounced as anti-feminist. But have the critics of Dollhouse been too quick to dismiss its feminist credentials?

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TV’s Grim Reaper: Why Joss Whedon Continually Kills the Characters We Love

Among Joss Whedon's greatest contributions to television has been the invention of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger. This is the first of two essays examining Joss Whedon as a televisual mass murderer.

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Love Hurts, or, Why Buffy Couldn’t Find Love

Unlike most teen shows, Buffy the Vampire Slayer wasn't constructed around romances. And while viewers followed her epic romances with vampires Angel and Spike, whether or not she would ever find true love was never really the point of the show.

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31 Mar 2011 // 7:45 AM

Identity and Memory in ‘Dollhouse’

While all of Joss Whedon's shows examine the nature of personhood, none does so to the degree of Dollhouse. Here the role of memory in establishing identity is examined.

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Personal Identity in Joss Whedon’s Shows

All of Joss Whedon's shows raise questions about personal identity. Here several major characters from the Whedonverse are subjected to a philosophical analysis.

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‘Dollhouse’, Fox Television, and Cultural Fragmentation

In an age of a deeply fragmented television audience, did Fox Television make a mistake in trying to market Joss Whedon's Dollhouse to a general audience instead of the niche audience that represents Whedon's fanbase?

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Consequence and Change in the Works of Joss Whedon, and Why It Matters

In many television series, the actions of characters neither have long-term consequences nor cause long-term change. For Joss Whedon actions always have consequences and often change the show's narrative.

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Joss Whedon 101: Dollhouse

Dollhouse is in many ways Joss Whedon's most challenging and most cutting edge show, trying to deal with issues that are rarely or never addressed on television. With low ratings making a third season unlikely, Joss Whedon and his writers packed the second and final season with several seasons' worth of story arcs, resulting in one of the richer narrative arcs found on TV.

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‘Doctor Horrible’: Lessons from the Musical-Tragi-Comedy-Internet Sensation

Dr. Horrible repeats many of the themes found in Joss Whedon's television series. Here we are reminded of three "lessons" found in other creations.

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In the Buff: Sexual Conservatism in the Works of Whedon

Although Joss Whedon is widely regarded as espousing a variety of liberal positions, here the author argues that this does not extend to his views concerning casual sex.

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Why Cast a Spotlight on Joss Whedon?

PopMatters will, over the next five weeks, publish almost 60 essays and/or interviews on pop cultural icon Joss Whedon. So just what has he done that is worthy of such attention, and why should we care?

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10 Dec 2010 // 7:04 AM

The Year in TV: January 2010

Because so many noteworthy things happened in the history of American television this year, it’s best to look at it all one month at a time. So let’s take a look at the biggest events on TV in January 2010.

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Dollhouse: (Briefly) The Best Show on Television

Despite a slow beginning Dollhouse has become an absolutely brilliant series

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