Monday, June 3 2013
The actor behind the lovable stoner from The Cabin in the Woods and Dollhouse's conniving programmer dishes about working with Joss Whedon, horror movies, and fan attention.
Monday, July 25 2011
Long before Dollhouse's Echo submitted herself to five years of memory loss, Eliza Doolitle of Pygmalion experimented with some personal tabula rasa.
Thursday, April 14 2011
The formal creation of Buffy Studies -- and therefore Whedon Studies -- was born with the creation of the online journal Slayage 10 years ago. Here the coeditor of Slayage, Rhonda V. Wilcox, offers some reflections on our obsessions with the output of a certain TV creator.
Tuesday, April 12 2011
Among Joss Whedon's greatest contributions to television has been the continual use of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger.
Monday, April 11 2011
While viewers watch television and film for entertainment, it's easy to forget that these media are industries. In this essay the changing relationships between creators, studios, distributors, and an increasingly active fandom are examined.
Sunday, April 10 2011
In contrast to the utopian vision of the future found in sci-fi series like Star Trek, Joss Whedon's creations show a different vision of the future. And it isn't pretty.
Thursday, April 7 2011
Most of Joss Whedon's work has been characterized by Big Bads. But the lines separating Good and Evil are more complex than one might expect.
Wednesday, April 6 2011
While Buffy has been universally acclaimed as a great work of TV feminism, Dollhouse has been denounced as anti-feminist. But have the critics of Dollhouse been too quick to dismiss its feminist credentials?
Tuesday, April 5 2011
Among Joss Whedon's greatest contributions to television has been the invention of the Body Count, the willingness to kill off recurring characters in order to ratchet up the narrative tension and create a sense of danger. This is the first of two essays examining Joss Whedon as a televisual mass murderer.
Monday, April 4 2011
Unlike most teen shows, Buffy the Vampire Slayer wasn't constructed around romances. And while viewers followed her epic romances with vampires Angel and Spike, whether or not she would ever find true love was never really the point of the show.