By Iquo B. Essien
An undeniably fun ride, albeit with too much restraint here, too over-the-top there.
By Cynthia Fuchs
The decidedly uneven score embraces the music of its moment, from soul to Motown to pop to disco, all filtered through Broadway, which means it's all too watery and white.
Philip Glass Balances the Matter-of-Fact With the Metaphysical in 'Words Without Music'
GNOD: Infinity Machines
'Exile on Kalamazoo Street' Echoes in Literature Form the Genius of Theatre
Cannes 2015: 'Saul Fia', 'Mon Roi', and the Politics of Award-Giving
Olivia Chaney: The Longest River
Snarky Puppy & Metropole Orkest: Sylva
Cannes 2015: 'Dheepan' and 'The Lobster' Depict Different Kinds of War
Cannes 2015: Women Resist Their Masters in 'Sicario' and 'The Assassin'
"In an age where writers regularly churn out "content" at dizzying speeds, truly great music makes a writer slow down and take time to reflect.