Articles tagged elmore leonard, western, timothy olyphant, walton goggins, fx network

Bava, Baby, Bava! Three Films from Italy’s Horror Maestro

Erik the Conqueror, Roy Colt and Winchester Jack and Kill Baby Kill show Bava's colorful ways with the camera.

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The Western Genre Feels Like Home: Dutch ‘Brimstone’ Director Martin Koolhoven

"I can't deny the fact I am influenced by westerns... I was determined to do something that had not been done before."

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The Western and Melancholy: On Arturo Ripstein’s ‘Time to Die’

Time to Die suggests that love and values are the existential gambits of the melancholic attempt to reconcile oneself with the irreconcilable indifference of the world.

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‘Stalker’ Warns of a World Where Escape Can Lead to New Forms of Imprisonment

Tarkovksy’s cinema dialogues with the current chaos of rising authoritarian regimes in the West and the threat of nuclear devastation as the United States and North Korea rattle their sabers.

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Coppola’s ‘The Beguiled’ Shows We’re All Prisoners of the Past

The Beguiled evokes a very persistent past from the American Civil War. A past that, as William Faulkner famously reminds us, isn't even past.

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Caught Between Two Worlds and Hanging on a String: Wurlitzer’s ‘The Drop Edge of Yonder’

Be repelled by this lunatic if you must, but do so at your own risk.

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No Country for Broken Men in Joseph Scapellato’s ‘Big Lonesome’

Even at their most impenetrable and monotonous, the stories here are still rich with refined poeticism and imagination.

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Westworld’s “Trompe L’Oeil” Is a Placeholder Episode With a Jaw-Dropping Twist

Mid-season, Westworld may be marking time, but shocks and reversals still abound.

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Maeve Ascends as More ‘Westworld’ Secrets are Revealed in “The Adversary”

Despite the ubiquity of corporate intrigue and maze imagery, "The Adversary" delivers another fascinating episode.

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Hart of the Western: ‘Wagon Tracks’

William S. Hart is the original strong silent type.

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‘Westworld’s “Contrapasso” Episode Suggests Dehumanization and Dante’s Nine Circles of Hell

The narrative pivots and complicates the reality of Westworld in "Contrapasso". The show is about the most HBO-ized episode of an HBO drama ever produced.

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Stagecoach: The Texas Jack Story

Trace Adkins and company bring Western cosplay to the forefront in this 90-minute elegy to a once mighty genre.

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‘Hell on Wheels’ Is Both a Tactical Homage to the Western Genre and a Postmodern Pastiche

Doc Durant (Colm Meaney) embodies a harbinger that darkly foreshadows the shape of the American political landscape and a post-truth Presidency.

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“Dissonance Theory” Both Reveals and Conceals Westworld’s Purpose

Westworld goes beyond HBO's usual visual spectacle and raunchy window dressing to offer philosophical meditations on both narrative and character.

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Rediscovering an Overlooked Non-Masterpiece: ‘The Beautiful Blonde From Bashful Bend’

Preston Sturges' funny western farce has a few subversive ideas.

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‘Westworld’ Continues to be a Cerebral Examination of Consciousness and Story

"The Stray" deepens the narrative as both story and characters move forward in unexpected ways.

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A Departure From Everything: An Interview With Ben Browder of ‘Outlaws and Angels’

Sci-fi icon Ben Browder discusses his new film, his sci-fi past, and the ambiguous nature of heroes and villains.

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Dualities, Glitches, and Playing God: Just Another Week in Westworld.

Here lies the Creator's plan for his world, overtly displayed and covertly ambiguous at the same time.

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Westworld: Season 1, Episode 1 - “The Original”

Ethical conflicts between creator and created are just one aspect of Westworld's brilliant and epically ambitious first episode.

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Necessary Failure in Marlon Brando’s ‘One-Eyed Jacks’

In Marlon Brando's world, there is no self, just inept flailing gestures pointing to the void. See One-Eyed Jacks at Film Forum this week.

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NYFF 2017: 'Mudbound'

// Notes from the Road

"Dee Rees’ churning and melodramatic epic follows two families in 1940s Mississippi, one black and one white, and the wars they fight abroad and at home.

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