Articles tagged environmentalism, ecology, patrick keiller, bfi, documentary, robinson, london

‘Amy’: She Was All About the Music

As sad as Winehouse's story may be, Amy is gorgeous and provocative, too.

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AFI Docs 2015 + HBO: ‘Requiem for the Dead: American Spring 2014’

As Requiem for the Dead shows, the clues that signal the violence committed by gun-bearing killers found on social media are missed until it's too late.

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Orson Welles Is Still Having the Last Laugh in ‘Magician’

Chuck Workman's Magician presents a vision of a man who made an equitable bargain with his genius and enjoyed a life larger than most of us could imagine.

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Human Rights Watch Film Festival 2015: ‘(T)Error’

As compelling as (T)Error's restless images are, the film never lets you forget what you can't see, what's deliberately hidden, and what's receding from view even as you look.

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AFI Docs 2015: ‘Drone’ Shows How the World Is Becoming a War Zone

Drone raises vital questions not only about how drones shapes the modern military experiences, but also about how drones reshape moral ground.

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Human Rights Watch Festival and AFI Docs 2015: ‘Of Men and War’

Of Men and War, shot over six years, follows multiple mostly unnamed veterans as they share their rage, fear, and frustration.

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Human Rights Watch Film Festival 2015: ‘Cartel Land’ and the Never-Ending Story of the Drug War

Cartel Land reveals the false opposition between good and evil in the drug wars.

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Peggy Seeger Brought the Best of Past and Present to London’s Queen Elizabeth Hall

Songs old and new, earnest and irreverent, and personal and political made up the setlist for Peggy Seeger’s vibrant London stop on her latest tour.

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‘Heaven Knows What’ Blurs the Boundaries Between Documentary and Fiction

Heaven Knows What brings fiction and experience together, raising provocative questions about how you believe one and the other.

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Spandau Ballet Finds Redemption and Reformation After Years Apart

Drummer John Keeble talks about Spandau Ballet's reunion amid the group's first U.S. tour in decades.

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‘The Decent One’ Takes on the Task of Humanizing Himmler

Using Heinrich Himmler's personal letters and journals, The Decent One presents an intimate family portrait of the architect of the Holocaust.

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‘A Year in Champagne’ Is All Fruit and No Acidity

There's plenty of dazzle but little depth in this champagne documentary.

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26 May 2015 // 9:22 AM

Cannes 2015: ‘Amy’ Follows Late Singer’s Descent

In Amy, a new documentary about the late star Amy Winehouse, we learn just how unique and complicated a descent can be.

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Albert Maysles’ Final Film, ‘In Transit’, Now Screening in Select Theaters

The documentary pioneer, who passed away earlier this year, leaves behind one last film to his name, documents lives on board the Amtrak Empire Builder train.

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With ‘Gates of Heaven/Vernon, Florida’, Errol Morris Flexed His Filmmaking Muscles

Gates of Heaven and Vernon, Florida both offer hints of the Errol Morris films to come, but are not essential on their own.

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Django Django: Born Under Saturn

Django Django embrace more traditional influences for their sophomore album, reshaping their music into a more conventional rock sound.

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‘Kurt Cobain: Montage of Heck’ Achieves a Kind of Heightened Truth

Sheila Nevins, president of HBO Documentary Films, called the production “the most unusual biopicture I’ve been involved in”.

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28 Apr 2015 // 10:30 AM

Spandau Ballet Gets Its Due in ‘Soul Boys’ Documentary

Spandau Ballet launched the “New Romantics” movement in pop’s New Wave, the music that blended punk and disco and fashion and paved the way

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24 Apr 2015 // 10:04 AM

‘Montage of Heck’ Reveals Unseen Sides of Kurt Cobain

Cobain’s witty self-awareness is one of many new and heartrending sides of him brought to light in Brett Morgen’s new HBO documentary, Kurt Cobain: Montage of Heck.

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Jingo - “A.D.D.” (audio) (Premiere)

The up-and-coming British outfit Jingo tackles the overmedicalization of mental disorders in their powerful new tune "A.D.D.".

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'True Detective': Maybe Tomorrow

// Channel Surfing

"True Detective, Season 2, Episode 3: Where does the kitsch end and the surreal begin?

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