By Bill Gibron
Kinji Fukasaku's striking compositions remind us that the world of filmmaking is draped in a charade, an expertly plotted manipulation.
Everything Was Fine Until It Wasn't: 'The Ends of the World'
UNKLE: The Road, Part 1
Sannhet: So Numb
'ORAKL' Brilliantly Breathes New Life Into Georg Trakl's Poetry
Tyshawn Sorey: Verisimilitude
Shelby Lynne and Allison Moorer: Not Dark Yet
How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir
Dent May: Across the Multiverse
"An ability to manipulate a collective is a hint at what a little boy's power as an individual might be.