By Mike Ward
This is Enemy at the Gates's most elegant theme, one that its often heavy-handed melodrama almost but not quite diminishes: that to be observed is to die, but to be invisible and quiet as the dead may allow you to survive.
Tim Bowness: Stupid Things That Mean the World
'Lovers At the Chameleon Club' and the Stories We Tell Ourselves
High Tides: High Tides
In 'Tea Time', 60 Years of Illusions and Pretense Are Pleasantly Lost
'Ex Machina' and the Moral and Intellectual Facets of AI Development
Lianne La Havas: Blood
LA Priest: Inji
"You pick your feet in Poughkeepsie, and we pick The French Connection for Double Take #18.