By Molly Brown
The ambiguous ending in a movie doesn’t feel like 'art'. It feels like a copy. And it resembles the tendency of the franchise ending, with intent to leave it open for a sequel.
Caitlyn Jenner, Rachel Dolezal, and the Shifting Boundaries of Identity
Aimee Mann: Mental Illness
Rodney Crowell: Close Ties
Mathew Lee Cothran: Judas Hung Himself in America
Daniel Brandt: Eternal Something
Identity Is a Provocative Spectre Throughout Noel Malcolm's 'Agents of Empire'
Red Baraat: Bhangra Pirates
"The Chamber is the filmic equivalent of a fairground ride, the stimulation of emotion over ideas.