By Tobias Peterson
While 'Goya in Bordeaux' should be applauded for breaking from the stale conventions of narrative and image in cinematic biography, it does so in a manner that garbles meaning and smacks of 'art for art's sake.'"
Tyshawn Sorey: Verisimilitude
Shelby Lynne and Allison Moorer: Not Dark Yet
How It Slips Away: 'The Breaking Point' Crosses Hemingway With Noir
Dent May: Across the Multiverse
The War on Drugs: A Deeper Understanding
Chantal Akerman’s 'Jeanne Dielman' in Many Ways Strikes One As a Vermeer Painting Come to Life
Consumption, Performance, and 'The Agony of Eros'
Gogol Bordello: Seekers and Finders
"Powerful Chicago soul-singer dips into the '60s and '70s while dabbling in Urdu, Punjabi and Italian.